RKD STUDIES

2010

FP 10-1
Portret van Yannick/Portrait of Yannick, December 2010
etching, 130 × 86 mm, lettered in the plate, at upper centre: 10 XII 2010 Yannick 20 ans; and at upper left: MY SUN 20
edition:
impressions:
CU-2011-P.99: with plate tone (inscribed at margin, in pencil: 9 VI, 17/2/01)
RP-P-2017-1120-56: with light plate tone (inscribed at lower right margin, in pencil: 10 VI)

Frans Pannekoek
Portrait of Yannick
paper, etching 130 x 86 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.99

Frans Pannekoek
Portrait of Yannick, dated 10th December 2010
paper, etching 130 x 86 mm
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-56

2011

FP 11-1
Carlos I van Hasselt/Posthumous Portrait of Carlos van Hasselt, January 2011
etching, 139 × 122 mm, lettered in the plate, at upper centre: (…) BY SHAH JAHAN; at bottom left: 2011 FP; and at bottom right: FINE ART PRINTING (mirror writing)
edition: 33?
impressions:
Ist state:
CU, inv. 2011-P-115: with plate tone, printed in brown ink (inscribed at margin, in purple pencil: 28 I 2011, epreuve no 1 I)
IInd state: shirt reworked; lettering added at upper centre: CARLOS (and after BY, SHAH JAHAN): NI ARUNDEL NI HOLLAR!
CU, inv. 2011-P.116: with plate tone, printed in brown ink (inscribed below the plate, in pencil: pour Andrezj de Frans. Paris mars 2011; inscribed at margin, in purple pencil: II, 2 epreuve, 28, I 2011)
VIIe state: lettering added in the plate, at upper centre: after (CARLOS): I HASSELT; after (BY SHAH JAHAN): NI GONCOURT NI BRAQUEMOND
CU, inv. 2011-P.117: with plate tone, printed in blue ink, retouched with purple aniline pencil (inscribed at margin, in pencil: 11 VII, 1 II '11, Deze onvatbare CvH.)
VIII state: reworked; lettered in the plate, at upper centre: CARLOS I HASSELT, BY SHAH JAHAN, NI GONCOURT NI BRAQUEMOND, NI ARUNDEL NI HOLLAR!; at bottom left: 2011 FP; and at bottom right: FINE ART PRINTING (mirror writing)
RP-P-2017-1120-57: with light plate tone (inscribed at lower left margin, in pencil: 17 VIII)
CU, inv. 2011-P.118: with plate tone (inscribed at margin, in purple pencil: 22 VIII, me gusta, el mejor?)
CU, inv. 2011-P.119: with plate tone, lettering partially illegible (inscribed at margin, in pencil: 23 2X)
CD: gift 2015, printed in brown ink, washed with brown paint (inscribed below the plate: Carlos voor Charles I/ 2015; and at lower margin, in purple aniline pencil: 15 VIII 3 fevrier 2011; and in pencil: ils allaient brûler en enfer selon Algra senator (PB))
CU, inv. 2011-P.120: with heavy plate tone (inscribed at margin, in pencil: dans le steppes de Caucasia; and below in purple pencil: 3 II 2011, 24 VIII)
IXth state: lettered in the plate, at upper centre: CARLOS I HASSELT, BY, SHAH JAHAN, NI GONCOURT NI BRAQUEMOND, NI ARUNDEL NI HOLLAR! NI QUEVEDO; at bottom left: 2011 FP; and at bottom right: FINE ART PRINTING (mirror writing)
CU, inv. 2011-P.121: with plate tone, printed in black and brown ink (inscribed at margin, in pencil: last 32 + 33, 7th of february 2011)
FM, P.2-2012 (donated by FP):
exhibitions: Amsterdam 2010; Paris 2011
comments: portrait made after photos of Carlos van Hasselt (1929-2009); preparatory study in sketchbook V, 2007-2011, CU, inv. 2013-T-136: 23 I 2011.

Frans Pannekoek
Posthumous portrait of Carlos van Hasselt
paper, etching, 1st state 139 x 129 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.115

Frans Pannekoek
Posthumous portrait of Carlos van Hasselt
paper, etching, 2nd state 139 x 129 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.116

FP 11-2
Sea mail, January 2011
etching, 115 × 150 mm, lettered in the plate, at upper centre: con humildad y respeto pero basta destumbrarles (…); and below: SEA MAIL, EXPEDITION: Frans Pannekoek, IMMXI
edition: 35, later 52
impressions:
IInd state:
CU, inv. 2011-P.104: with plate tone (inscribed at margin, in pencil: 1, prova 1 II, 8 I 2011)
IVth state: crab reworked with drypoint
CU, inv. 2011-P.105: with plate tone, lettering at upper centre illegible (inscribed at margin, in pencil: 9/IV, RWS, papier, 11 I 2011)
CU, inv. 2011-P.103: with plate tone, printed in black and brown ink, lettering at upper centre illegible (inscribed at margin, in pencil: 13 IV, 12 I 2011)
CU, inv. 2011-P.106: with plate tone, printed in two shades of brown ink, lettering mostly illegible (inscribed at upper margin, in pencil: letter from oblivion!; inscribed at lower margin, in pencil: 17, 14 I 2011)
CU, inv. 2011-P.107: with plate tone, printed in black and blue ink, lettering at centre left illegible (inscribed at margin, in pencil: 18, 14 I)
CU, inv. 2011-P.108: with plate tone, printed in blue and brown (?) ink, lettering covered up by ink (inscribed at margin, in pencil: Payne (?) 24, 16 I 2011)
FK: with plate tone, printed in dark blue and black ink (inscribed below the plate, in pencil: Letter from oblivion à Charles & Jan Piet Frans pannekoek 21/35; and at margin: exemplaire à moi mème frans pannekoek janvier 2011, payne grey – blue, 26 f.p.at right: a letter from oblivion)
CU, inv. 2011-P.109: with plate tone, printed in black and blue ink, lettering illegible (inscribed at margin, in pencil: 30, 17 I 2011)
CD, gift 2015, printed in brown ink, washed with blueish watercolour (inscribed below the plate: KRAB voor Charles en Niovy; and at lower margin, in pencil: 17-I-2011, 33)
RP-P-2017-1120-58: with light plate tone, printed in black and blue ink (inscribed below the plate, in pencil: 1e serie des vie? supplement 6 (circled); and at margin: 36 2x 6 mars 2011 mars 6x)
CU, inv. 2011-P.110: with plate tone, printed in black and blue ink, lettering partially illegible (inscribed at margin, in pencil: 37 2x, 9 mars 6x)
CU, inv. 2011-P.111: with plate tone, printed in blue and brown ink, lettering at upper centre illegible (inscribed at margin, in pencil: 44. 10 III 2011)
CU, inv. 2011-P.112: with plate tone, printed in blue and brown ink lettering at upper centre illegible (inscribed at margin, in pencil: door Cola blik, 45)
CU, inv. 2011-P.113: with plate tone, printed in black and brown ink, lettering illegible (inscribed at upper margin, in pencil: 2'me serie des supplements, 6; and at lower margin: 47, Donderdag 10 Maart 2011, sprayed paper!, 2, Frida & Desm)
last state:
CU, inv. 2011-P.114: with plate tone, printed in blue ink (inscribed at margin, in pencil: 52 Last, blue crab emerging from blue envelope on Friday 11th March 2011!)
exhibitions: Paris/Chaury 2011
literature: Luijten 2012, p. 168, fig. XXXVIII (I)
comments: the print was made as a response from the artist to the article about his artistic friendship with Charles Donker (Filedt Kok 2010).

Frans Pannekoek
Sea mail
paper, drypoint, etching, 2nd state 115 x 150 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.104

Frans Pannekoek
Sea mail
paper, drypoint, etching, 4th state 115 x 150 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.105

Frans Pannekoek
Sea mail
paper, drypoint, etching, 4th state 115 x 150 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.103

Frans Pannekoek
Sea mail
paper, drypoint, etching, 4th state 115 x 150 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.106

Frans Pannekoek
Sea mail
paper, drypoint, etching, 4th state 115 x 150 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.107

FP 11-3
De ogen van de kunstenaar/The Eyes of the Artist, February 2011 (plate from December 1992, reworked in February 2011)
drypoint, 64 × 98 mm, lettered in the plate, at bottom centre: FP II M; and at bottom right: suplement, DE XII 92
edition:
impressions:
Ist state:
CU, inv. 2011-P.97: with plate tone (inscribed at lower left margin, in pencil: I I 15 II 2011)
RP-P-2017-1120-59: with plate tone (inscribed at lower margin, in pencil: 15 no. 4)
IInd state: reworked and lettering added at lower right corner along plate mark: EXCHANGE SET
CU, inv. 2011-P.98: with plate tone (inscribed at lower right margin, in purple pencil: 15)

Frans Pannekoek
The eyes of the artist
paper, drypoint, 1st state 64 x 98 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.97

Frans Pannekoek
The eyes of the artist, dated December 1992
paper, drypoint, 1st state 64 x 98 mm
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-59

Frans Pannekoek
The eyes of the artist
paper, drypoint, 2nd state 64 x 98 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.98

FP 11-4
Kameleon/Chameleon, February 2011
etching and aquatint, 80 × 129 mm, lettered in the plate, at upper centre: FP, The print of suffering, APLASTADO, slagtoffer van verkeer 3, AVOMIRE MMXI, 2011 (mirror writing); and at bottom centre: MAKI, RECYCLÉ
edition:
impressions:
IIIrd state: reworked with drypoint
CU, inv. 2011-P.100: impression printed in negative, lettering at upper centre partially illegible (inscribed at margin, in pencil: prueba III 20 II)
CU, inv. 2011-P.101: with plate tone, lettering at upper centre partially illegible (inscribed at lower margin, in pencil: V IV, 21 fevr. 2011)
Vth state: chameleon reworked with drypoint
CU, inv. 2011-P.102: with plate tone, printed in brown ink (inscribed at margin, in pencil: 25 fevr. 2011 à Algodonales, The print of suffering, 8 V)
RP-P-2017-1120-60: with plate tone, printed in brown ink (inscribed at lower right margin, in pencil: letter II, 9V)
CD, gift 2015, with heavy plate tone around the figure (inscribed below the plate, in pencil: deze voor Charles Overreden kameleon, recyclé fp 2011; and at lower margin: Charlie Hebdo, Cameleon ! vrij 4 mrt 2011 24 2x)
FM, P.198.2015 (donated by FP in memory of Carlos van Hasselt)

Frans Pannekoek
Chameleon
paper, drypoint, 3rd state 80 x 129 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.100

2016

FP 16-1
Bodegón/Still Life, 2011-2016
etching, 129 × 168 mm, lettered in the plate, at bottom centre: SUSANA; and at lower left corner: FP 2011-2016
edition: 12
impressions:
VIth state:
CU, inv. 2018-P.3: with plate tone (inscribed at margin, in pencil: 7 VI, domingo, 8 avril 2016)
CU, inv. 2018-P.4: with plate tone (inscribed in margin, in purple pencil: 15, 11 mayo)
comments: state I-V: 20 March 2011 - 5 May 2011.

Frans Pannekoek
Still life
paper, drypoint, 6th state 129 x 168 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.3

Frans Pannekoek
Still life
paper, drypoint, 6th state 129 x 168 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.4

FP 16-2
Muze aan het strand/Muse at the Beach, April 2016
etching and aquatint, 140 × 129 mm, lettered in the plate, below upper plate mark: LA LINEA RECTA = LA OPRESIÓN DEL (MUSA = SUEÑO) ESPACIO (OSCAR NIEMEYER)
edition: 18
impressions:
IInd state:
CU, inv. 2018-P.46: with plate tone (inscribed at margin, in purple pencil: No 6, 10, 28 IV 016)

Frans Pannekoek
Muse at the beach
paper, aquatint, etching, 2nd state 140 x 129 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.46

FP 16-3
Portret van muze Susana/Portrait of Muse Susana, May 2016
etching and aquatint, 170 × 129 mm, lettered in the plate, at upper right corner: libertad por los pelos
edition: 46
impressions:
IInd state:
CU, inv. 2018-P.47: with plate tone, printed in black and brown ink (inscribed at margin, in purple pencil: prueba 3 II, 21 mayo, tinto viejo inglesa)
IIIrd state: face reworked
CU, inv. 2018-P.53: with plate tone, printed in brown ink (inscribed at margin, in purple pencil: prueba 3 III, 21 mayo, tinto viejo inglesa)
CU, inv. 2018-P.48: with plate tone, printed in brown ink (inscribed at margin, in pencil: 5; and in purple pencil: III, 22 Mayo '16)
VIIth state:
CU, inv. 2018-P.50: with plate tone, printed in black and brown ink (inscribed at margin, in pencil: OPRESIÓN BURKA; and in purple pencil: Europa se moderniza! 17 VII, 28 de Mayo)
CU, inv. 2018-P.51: with plate tone, printed in black and red ink, lettering not inked (inscribed at margin, in purple pencil: 19 VII, Susana como la Duquesa de Alba! à MOI, 28 Mayo 2016)
CU, inv. 2018-P.53: printed in brown ink (inscribed at margin, in purple pencil: 20 VII 29 Mayo 6, Duquesa luminosa)
CU, inv. 2018-P.54: with plate tone, printed in blue ink, lettering not inked (inscribed at margin, in purple pencil: GALA SUSANA, No 24, 29 MAYO 2016)
CU, inv. 2018-P.49: printed in blue ink, lettering not inked (inscribed at margin, in purple pencil: Susana Impresionista No 25 Mayo 30 2016 Andaluza)
CU, inv. 2018-P.56: printed in brown ink, lettering not inked (inscribed at margin, in purple pencil: la buena jefa de los indios, 34 VII, 31 Mayo 2016)
CU, inv. 2018-P.57: with plate tone, lettering not inked (inscribed at margin, in purple pencil: 35, 1 Junio 2016)
CU, inv. 2018-P.52: with plate tone, lettering not inked (inscribed at margin, in purple pencil: 36, 1 Junio 2016)
CU, inv. 2018-P.55: maculature print, lettering not inked (inscribed at margin, in purple pencil: counter print 39 1 Junio!)
CU, inv. 2018-P.58: impression from reversed plate in red, printed over print in red ink (inscribed at margin, in pencil: 44, 3 de Junio, Reina 3)
comments: Pannekoek compared the set of 46 impressions of the Portrait of Muse Susana with the famous series of Thirty-Six Views of Mount Fuji by the Japanese printmaker Hokusai, extended with ten more prints.

Frans Pannekoek
Portrait of muse Susana
paper, aquatint, etching, 2nd state 170 x 130 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.47

FP 16-4
Interieur I/Interior I, June 2016
etching, 170 × 124 mm, lettered in the plate, at upper centre: Por fin entro en el mundo femenino, a SUSANA FP 2016
edition: 20
impressions:
IInd state:
CU, inv. 2018-P.6: with plate tone, printed in brown ink (inscribed at right margin, in purple pencil: 4 II, 3 tinta, 16 VI, MMXVI; and at lower margin: el cuarto de mi Musa exotica!)
IIIrd state: details added at lower part of plate
CU, inv. 2018-P.7: with plate tone, printed in blue ink (inscribed at margin, in pencil: the ladies blue room 8 III; and in purple pencil: 18 a Junio)
CU, inv. 2018-P.8: with plate tone, printed in black and blue ink (inscribed at upper margin, in purple pencil: the room of her dreams!; and at lower margin: 18 VI, 9 III)

Frans Pannekoek
Interior I
paper, aquatint, etching, 2nd state 170 x 124 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.6

Frans Pannekoek
Interior I
paper, aquatint, etching, 3rd state 170 x 124 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.7

Frans Pannekoek
Interior I
paper, aquatint, etching, 3rd state 170 x 124 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.8

FP 16-5
Muze poes borstelend/Muse Brushing her Cat, November 2016
etching and aquatint, 124 × 93 mm, lettered in the plate, at upper centre: SUSANA, AMOR A OLMO
edition: 32
impressions:
IInd state:
CU, inv. 2018-P.5 (inscribed at margin, in purple pencil: 5 2 state, 14 XI 016, mio qued a! 6)

Frans Pannekoek
Muse brushing a cat
paper, aquatint, etching, 2nd state 124 x 93 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.5

FP 16-6
Julito, December 2016
drypoint, 78 × 125 mm, lettered in the plate, at upper centre: Julito; and illegible lettering along left plate mark
edition: 24
impressions:
CU, inv. 2018-P.1: with plate tone, printed in brown ink (inscribed at margin, in purple pencil: 19 VI, 4 XII)
comments: Julito was Pannekoek’s dog, a Pyrenean shepherd dog.

Frans Pannekoek
Julito
paper, etching 78 x 125 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.1

FP 16-7
Hard Nut to Crack, December 2016
drypoint, 82 × 94 mm, lettered in the plate, at upper left corner: FP XII
edition: 20
impressions:
CU, inv. 2018-P.2: with plate tone, printed in brown ink (inscribed at upper right margin, in pencil: 2/20; and below in purple pencil: 2' 31 XII)

Frans Pannekoek
Hard nut to crack
paper, drypoint 82 x 94 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.2

FP 16-8
Mijn vallei/My Valley, December 2016
etching, 167 × 252 mm, lettered in the plate, at upper centre: (…) MMXVI; and below: VIVIR SIN LEER, SERIA, VIVIR SIN VIVIR (S.V.)
edition: 49
impressions:
Ist state:
CU, inv. 2018-P.9: with plate tone, printed in blue ink on paper smaller than the plate (inscribed within image, at upper right corner, in blue pencil: 1; verso: inscribed in pencil: I 14 XII 2016, I I XII (?))
CU, inv. 2018-P.11: with plate tone, printed in dark brown ink (inscribed at margin, in pencil: 5; verso: inscribed in pencil: 5 I, 16 XII 2016)
CU, inv. 2018-P.12: impression printed in negative, with plate tone, printed in dark brown ink (verso: inscribed in purple pencil: 16 XII 2016, 6 I)
IInd state: lettering at upper centre extended: (…) SUSANA MI VALLE MMXVI
CU, inv. 2018-P.10: with plate tone, printed in blue and brown ink on paper smaller than the plate (inscribed at margin, in purple pencil: 9 II, 19 XII; verso: inscribed in purple pencil: 8 II; and in pencil: 9)
CU, inv. 2018-P.13: with plate tone, printed on paper smaller than the plate, lettering at upper centre illegible (verso: inscribed in purple pencil: 24 XII 2016, No 12 II; inscribed in pencil: 13)
CD, gift 2018, printed in blue ink, with wash in blue, printed on paper smaller than the plate (inscribed above the plate: NACHT vanuit mijn keukenraam voor Charles 19 XII 2016, 10 I.I; inscribed at verso, in pencil: 11, II(6))
IIIrd state: lettering added in the plate, at upper left corner: FP XII 16
CU, inv. 2018-P.14: impression printed in negative, with plate tone, printed on paper smaller than the plate (verso: inscribed in purple pencil: 16 II, 26 XII 2016; in pencil: 18)
Vth state: possibly reworked at centre right
CU, inv. 2018-P.15: impression printed in negative, with plate tone, printed in brown ink on paper smaller than the plate, lettering not inked (verso: inscribed in purple pencil: 30 XII, 23 V; inscribed in pencil: 24)
CU, inv. 2018-P.16: impression printed in negative, with plate tone, printed in brown ink on paper smaller than the plate, lettering not inked (verso: inscribed in purple pencil: 30 XII, 24 V; inscribed in pencil: 25)
CU, inv. 2018-P.19: with plate tone, printed in brown ink on paper smaller than the plate (verso: inscribed in purple pencil: 25 V, 2 I 2016; inscribed in pencil: 27)
CU, inv. 2018-P.17: impression printed in negative, with plate tone, printed in blue and brown ink on paper smaller than the plate, lettering at upper left corner erased or not inked (verso: inscribed in purple pencil: 26 V, 31 XII, 2016; and in pencil: 29)
VIst state: lettering added at upper left corner: (…) opresion
CU, inv. 2018-P.20: with plate tone, printed in black and blue ink on paper smaller than the plate (verso: inscribed in purple pencil: 29 VI, 5.1 2017 estado de animo II; inscribed in pencil: 32)
CU, inv. 2018-P.18: with plate tone, printed in black and blue ink on paper smaller than the plate (verso: inscribed in purple pencil: 31 VI, 6 1 17; inscribed in pencil: 34)
CU, inv. 2018-P.21: with plate tone, printed in blue ink on paper smaller than the plate (verso: inscribed in purple pencil: Dry paper, 34 VI, 6 I 2017; inscribed in pencil: 37)
IXth state: horizontal lined added at lower part of plate
CU, inv. 2018-P.23: with plate tone, printed in brown ink on paper smaller than the plate (verso: inscribed in purple pencil: 47 IX martes 17 de Enero 2017; inscribed in pencil: 37)
CU, inv. 2018-P.22: with pate-tone, printed in blue ink on paper smaller than the plate (verso: inscribed in pencil: dia de nieve! 48 IX, 19 I 2017)
comments: view from the artist’s home in Algodonales.

Frans Pannekoek
My valley
paper, etching, 1st state 165 x 253 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.9

Frans Pannekoek
My valley
paper, etching, 1st state 165 x 253 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.11

Frans Pannekoek
My valley
paper, etching, 1st state 162 x 252 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.12

Frans Pannekoek
My valley
paper, etching, 2nd state 187 x 252 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.10

Frans Pannekoek
My valley
paper, etching, 2nd state 165 x 251 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.13

Frans Pannekoek
My valley
paper, etching, 3rd state 165 x 252 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.14

Frans Pannekoek
My valley
paper, etching, 5th state 167 x 254 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.15

2017

FP 17-1
Pantano I/Lake I, January 2017
drypoint, 119 × 167 mm, lettered in the plate, along left plate mark: FP 20 I 17
edition: 26
impressions:
Ist state:
CU, inv. 2018-P.24: with plate tone (inscribed at margin, in pencil: Pantano I 1, sa 21 Enero, 2017)
IVth state: reworked with drypoint at centre left and bottom right
CU, inv. 2018-P.25: with plate tone, printed in black and brown ink (inscribed at margin, in pencil: 8, 23 I 2017, la linea recta = à Susana el diamante)
CU, inv. 2018-P.26: with plate tone, printed in brown and blue ink (inscribed at margin, in pencil: 9, 23 I 2017)
CU, inv. 2018-P.29: with plate tone, printed in blue and brown ink (inscribed at margin, in pencil: 10, dins 24 Jan 2017)
CU, inv. 2018-P.27: with plate tone, printed in brown and blue ink (inscribed at margin, in pencil: 12, miercol, 25 I 2017)
CU, inv. 2018-P.28: with plate tone, printed in blue ink (inscribed at margin, in pencil: 15, 26 I, 2017)
VIth state: lettering along left plate mark extended: LA LINEA RECTA
CU, inv. 2018-P.30: with plate tone, printed in brown and red ink (inscribed at margin, in pencil: 22 VI, invasión, Sabado, 28 I, 2017)
CU, inv. 2018-P.31: with plate tone, printed in red ink (inscribed in margin, in pencil: 24 VI, 28 I, 2017)
comments: Pantano, retaining reservoir near Algodonales and Zahora de la Sierra.

Frans Pannekoek
Swamp I
paper, drypoint, 1st state 119 x 167 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.24

Frans Pannekoek
Swamp I
paper, drypoint, 4th state 119 x 167 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.25

Frans Pannekoek
Swamp I
paper, drypoint, 4th state 119 x 167 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.26

Frans Pannekoek
Swamp I
paper, drypoint, 4th state 119 x 167 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.29

Frans Pannekoek
Swamp I
paper, drypoint, 4th state 119 x 167 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.27

Frans Pannekoek
Swamp I
paper, drypoint, 4th state 119 x 167 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.28

Frans Pannekoek
Swamp I
paper, drypoint, 6th state 119 x 167 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.30

Frans Pannekoek
Swamp I
paper, drypoint, 6th state 119 x 167 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.31

FP 17-2
Pantano II/Lake II, February 2017
etching, 119 × 167 mm, lettered in the plate, at upper centre: Fuut
impressions:
edition: 14?
IInd state:
CU, inv. 2018-P.34: with plate tone, printed in brown ink (inscribed at margin, in pencil: 2 II, 3 febr, 2017; and in purple pencil: prueba 2)
IIIrd state: reworked at bottom left
CU, inv. 2018-P.35: with plate tone, printed in blue and brown ink (inscribed at margin, in purple pencil: fuut, 3 III, sabado 4 febr.)
CU, inv. 2018-P.36: with plate tone, printed in blue and brown ink (inscribed at margin, in purple pencil: 4 III, 4 II 2017 fuut)
CU, inv. 2018-P.37: with plate tone, printed in blue and brown ink (inscribed at margin, in pencil: 6 febrero, 2017, 5 III, Fuut)
CU, inv. 2018-P.38: with plate tone, printed in blue and brown ink (inscribed at margin, in pencil: fuut, 6 III, 6 II 2017)
CU, inv. 2018-P.39: with plate tone, printed in blue ink, lettering illegible (inscribed at margin, in pencil: 9 III, 8 febrero, traversia del Pantano)
CU, inv. 2018-P.40: with plate tone, printed in black and blue ink, lettering illegible (inscribed at margin, in pencil: 11 III, traversia del Pantano, 8 febrero 2017)
CU, inv. 2018-P.41: with plate tone, printed in brown and red ink (inscribed at margin, in pencil: Crossing the lake, 13 III, 9 febr 2017)
comments: the grebe is crossing the lake, just like love and the muse. (6 other prints; 13 III - 9 February 2017).

Frans Pannekoek
Swamp II
paper, etching, 2nd state 119 x 167 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.34

FP 17-3
Dolores, February 2017
drypoint, 94 × 86 mm, lettered in the plate, at bottom left: ? y ese quien es?
edition: 16
impressions:
Vth state:
CU, inv. 2018-P.42: with plate tone (inscribed at margin, in pencil: 6 V, 12 II 017)
comments: Dolores is the grandmother of the artist's muse Susana.

Frans Pannekoek
Dolores
paper, drypoint, 5th state 94 x 86 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.42

FP 17-4
Madonna de las cestas/Madonna of the Baskets, February 2017
drypoint, 166 × 99 mm
edition: 18
impressions:
CU, inv. 2018-P.67: with plate tone (inscribed at right margin, in pencil: 1 I, lunes 20 de Febrero 2017; and at lower margin: Madonna de las cestas 1)

Frans Pannekoek
Madonna of the baskets
paper, drypoint 166 x 99 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.67

FP 17-5
Interieur II, Interior II, March 2017
etching, 119 × 159 mm, Lettered within image, in upper centre: (…) siempre (…) MACHISM MASA, MUSA 41, SIN
edition: 15
impressions:
IInd state:
2018-P.43: with plate tone, printed in brown ink (inscribed at margin, in pencil: 7 II, 1 marzo 2017)

Frans Pannekoek
Interior II
paper, etching, 2nd state 119 x 159 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.43

FP 17-6
Egon con Botas/Puss in Boots, March 2017
drypoint, 159 × 129 mm, lettered in the plate, at upper centre: MARZO 14 MUSA 41, ART-TIME; and at bottom left: FP 2017
edition: 15
impressions:
CU, inv. 2018-P.44: with plate tone, printed in brown ink (inscribed at margin, in pencil: 7 II, 20 III 2017)
comments: fur boots and cat of the artist's muse. Refers to the fairy tale 'Puss in Boots'.

Frans Pannekoek
Egon with boots/Puss in boots
paper, etching 159 x 129 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.44

FP 17-7
Zelfportret met Muze/Self-Portrait with Muse, March 2017
drypoint, 139 × 158 mm, lettered in the plate, at upper left corner: MUSA, CHAQE TRACE A ÇA PLACE, AUSENTE; and at lower left corner: 26 (…)
edition: 35
impressions:
IInd state:
CU, inv. 2018-P.45: with plate tone, reworked with graphite (inscribed at margin, in pencil: Prueba 2 II 30 marzo 2017)
VIIth state: portrait of muse added
CU, inv. 2018-P.66: with plate tone, printed in dark brown ink (inscribed at margin, in pencil: épuisé, 35, 11 avril, 2017, la bella y la Bestia)

Frans Pannekoek
Self portrait with muse
paper, drypoint, graphite, 2nd state 139 x 158 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.45

Frans Pannekoek
Self portrait with muse
paper, drypoint, 7th state 139 x 158 mm
Paris, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2018-P.66