RKD STUDIES

2002

FP 02-1
Rio Barbate/The Rio Barbate, May 2002
Etching and drypoint, 89 × 114 mm, lettered in the plate, at upper centre: Rio Barbate, f.p. V 2002
impressions:
CU, inv. 2003-P.50: with plate tone (inscribed at lower margin, in pencil: f pannekoek 2002, 11)
CU, inv. 2003-P.51: with plate tone, printed in black and brown ink (inscribed at lower margin, in pencil: f pannekoek 2002, 13)
CU, inv. 2003-P.52: with plate tone, printed in brown ink (inscribed at lower margin, in pencil: f pannekoek, 15)
CU, inv. 2011-P.77: with plate tone (signed below the plate, in pencil: f pannekoek; inscribed at margin, in pencil: 16 V)

Frans Pannekoek
Rio Barbate
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.50

FP 02-2
Weg in zee/Road in Sea, July 2002
drypoint, 148 × 114 mm
impressions:
CU, inv. 2003-P.62: with plate tone (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: pantano de Zahara de la Sierra Cadiz, 15 last 21-8.2002 12 VII)

Frans Pannekoek
Weg in zee
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.62

FP 02-3
Bootjes bij Sanlúcar de Barrameda/Boats near Sanlúcar de Barrameda, 2002
etching, 90 × 148 mm, lettered in the plate, at bottom right: San Lucar 2002
impressions:
CU, inv. 2003-P.63: with plate tone (signed below the plate, in pencil: f pannekoek; inscribed at margin: embarcadero para Doñana, 3 3)
CU, inv. 2017-P-32: with plate tone (signed below the plate, in pencil: f pannekoek; inscribed at lower right margin: 13)
comments: location, Doñana National Park, Andalusia, The park of the Duquesa d’Alba, where Francisco Goya stayed as a guest in the palace.

Frans Pannekoek
Bootjes bij Sanlúcar de Barrameda
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.63

Frans Pannekoek
Bootjes bij Sanlúcar de Barrameda
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2017-P.32

FP 02-4
Berglandschap bij Algodonales/Mountain Landscape near Algodonales, Augustus 2002
etching and aquatint, 149 × 199 mm, lettered in the plate, at upper centre: entre Algodonales y el Bosque; at bottom centre: 2002 fp montfroc (mirror writing) de la main
impressions:
Ist state:
CU, inv. 2003-P.67: with plate tone, printed in brown ink (signed and dated at lower margin, in pencil: f pannekoek 2002; inscribed at left margin, in pencil: moulin du Verger! 180 grms! Parfait. proof 1 (…) 14 august 2002)
IInd state: lettering at bottom centre extended: vivante
RP-P-2017-1120-38 (inscribed at lower right margin: 10 IV Algodonales)
CU, inv. 2003-P.68: with plate tone (inscribed at lower right margin, in pencil: f pannekoek III 18)
CU, inv. 2003-P.69: with plate tone, printed in black and brown ink (inscribed at lower right margin, in pencil: f pannekoek 2002, 12 IV(?) 19(?)-8-2002)
exhibitions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 55 (CU, inv. 2003-P.69)
comments: Pannekoek (oral comment, December 2017): made after returning to Andalusia in 2002, he was living in Bosque at this time. The print is reminiscent of the technique used in the early prints of Valls.

Frans Pannekoek
Berglandschap bij Algodonales
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.67

Frans Pannekoek
Berglandschap bij Algodonales, augustus 2002 gedateerd
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-38

FP 02-5
Weg naar Barbate/Road to Barbate, August 2002
etching and aquatint and roulette, 91 × 149 mm, lettered in the plate, at upper centre: Road to Barbate
impressions:
Ist state: without fence on the left
CU, inv. 2003-P.72: with plate tone, printed in brown ink (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin, in pencil: Homage à Nicolas de Staël/Pour la Route (…) Prova 1 I 22-8 2002)
IIIrd state: lettering at upper centre extended with: à Staël, VIII 2002
CU, inv. 2003-P.70: with plate tone (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin, in pencil: 4 III)
CU, inv. 2003-P.71: with plate tone, printed in black and brown ink (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin, in pencil: meo, 5 III)
VI state:
CU, inv. 2003-P.73: with plate tone (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin, in pencil: 12 VI)

Frans Pannekoek
Weg naar Barbate
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.72

Frans Pannekoek
Weg naar Barbate
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.70

Frans Pannekoek
Weg naar Barbate
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.71

Frans Pannekoek
Weg naar Barbate
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.73

FP 02-6
Vuurtoren Trafalgar/Lighthouse, Trafalgar, August 2002
drypoint, 93 × 128 mm, lettered in the plate, at lower left: Panne Koek 850 (…)
impressions:
Ist state:
CU, inv. 2003-P.74: with plate tone (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: Trafalgar proof 1 I, 29 jeudi aout 2002)
IInd state: lettering added at upper left corner: TRAFALGAR 2002; lettering at lower left erased/not inked
CU, inv. 2003-P.75: with plate tone, printed in black and brown ink (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: 10 II)
IVth state: landscape reworked
CU, inv. 2003-P.76: with plate tone (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: 8 IV)
VIIth state: reworked with drypoint
CU, inv. 2003-P.77: with plate tone (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: 13 VII)
VIII state: possibly reworked with drypoint
RP-P-2017-1120-39: with plate tone (inscribed at lower right margin, in pencil: 15 VIII)

Frans Pannekoek
Vuurtoren Trafalgar
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.74

FP 02-7
Prikkeldraad/Barbed Wire, August 2002
etching and aquatint, 167 × 129 mm, lettered in the plate, at bottom left: caños 2002, FP
impressions:
Ist state:
CU, inv. 2003-P.99: with plate tone (verso: signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at pencil: caños, 27-8, 2002, 1 I)
RP-P-2017-1120-40: with plate tone, printed on a sheet of paper smaller than the plate (signed below the plate, in pencil: f pannekoek; and at lower right margin: autre sucre? 11 IV)
IInd state: lettering added, at bottom centre: FP
CU, inv. 2003-P.100: with plate tone, printed in brown ink on a sheet of paper smaller than the plate (verso: inscribed, signed and dated in pencil: 2002, 27 août, 3 II, F PANNEKOEK)
IIIrd state: details reworked with etching
CU, inv. 2003-P.101: with plate tone (inscribed at margin, in pencil: f pannekoek 2002)
IVth state: reworked at bottom centre
CU, inv. 2003-P.102: with plate tone, printed in brown ink (inscribed at margin, in pencil: f pannekoek 2002)
comments: Pannekoek (oral comment, December 2017): in memory of Juan Sanchez, who drowned there while fishing in Caños de Meca.

Frans Pannekoek
Prikkeldraad
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.99

FP 02-8
Agave, August 2002
etching and drypoint, 154 × 129 mm, lettered in the plate, at upper centre: pais de los guiris; at lower left: FP & SON; and at bottom right: canos 2001
impressions:
IInd state:
CU, inv. 2003-P.103: with plate tone (inscribed at upper margin, in pencil: f pannekoek 2002, proof 2 II/16)
IIIrd state: drypoint added at bottom right
CU, inv. 2003-P.104: with plate tone, printed in brown ink (inscribed at upper margin, in pencil: f pannekoek 2002. 3-III/1 16 Sept.)
CU, inv. 2003-P.105: with plate tone, printed in brown ink (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin, in pencil: caños de meca)
comments: Pannekoek (oral comment, December 2017): printed on a sheet of paper that is smaller than the plate 'to give it a Japanese appearance'.

Frans Pannekoek
Agave
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.103

Frans Pannekoek
Agave
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.104

Frans Pannekoek
Agave
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.105

FP 02-9
Arrieta als libel/Arrieta as a Dragonfly, 2002
drypoint, 50 × 79 mm, lettered in the plate, at centre left: ARRIETA, ARCONES, 2002, FP
impressions:
RP-P-2017-1120-41: with light plate tone (inscribed at lower right margin: arrieta a l’attaque! 1st proof too wet… 1oct. 2002)
CU, inv. 2003-P.78: with little plate tone, printed in brown ink (inscribed at lower margin, in pencil: f pannekoek, 2002, FP pr.E 10 V/20)
CU, inv. 2003-P.79: with little plate tone (inscribed at lower margin, in pencil: f pannekoek, 4 IV; verso: Javier Arrieta (Bascque), Champion d'Espagne, 2001. 2002 2me)
comments: Pannekoek (oral comment, December 2017): Javier Arrieta, the hang-gliding champion of Spain (2001); just like a dragonfly with an aerodynamic helmet.

Frans Pannekoek
Arrieta als libel
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-41

FP 02-10
Vissekop/Fish Head, 2002
drypoint, 89 × 79 mm, lettered in the plate, at upper centre: In the eye of the beholder; and at bottom centre: fp 2002
edition: 21
impressions:
CU, inv. 2003-P.80: with little plate tone (signed and dated below the plate, in pencil: f pannekoek 2002; along right plate mark: f pannekoek 2002; inscribed at margin, in pencil: gedroogde vissekop, 11/21)
CU, inv. 2003-P.81: with little plate tone, printed in brown ink (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed in margin: 17/21)
CU, inv. 2003-P.82: with little plate tone, printed in black and brown ink (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: 18/21)

Frans Pannekoek
Vissekop
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.80

Frans Pannekoek
Vissekop
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.81

Frans Pannekoek
Vissekop
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.82

FP 02-11
Touw op strand/Rope on the Beach, September 2002
etching, 100 × 150 mm, lettered in the plate, at lower left corner: FP, 2002
impressions:
Ist state:
CU, inv. 2003-P.64: with plate tone (inscribed below the plate, in pencil: f pannekoek 2002, 1 I; at margin: lichtblauwe versleten tros, sa 14 Sept 2002)
IInd state: rope reworked, lettering added at upper centre of plate: ZAHARA DE LOS ATUNES, TROS M+A (…) siglo veinte
CU, inv. 2003-P.65: with plate tone (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin, in pencil: 3 II 18/9)
CU, inv. 2003-P.66: with plate tone, printed in brown ink (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin, in pencil: à moi à toi, 20 sept, 6 10)

Frans Pannekoek
Touw op strand
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.64

Frans Pannekoek
Touw op strand
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.65

Frans Pannekoek
Touw op strand
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.66

FP 02-12
Knoflook/Purple Garlic, September 2002
drypoint, 98 × 148 mm, lettered in the plate, at bottom left: 2002 5 sept; and at bottom centre: fp
edition: 20 later 25
impressions:
CU, inv. 2003-P.87: with plate tone (signed and dated below the plate, in pencil: 2002 f pannekoek; inscribed at lower margin: proof I, 6 sept 2002)
CU, inv. 2003-P.86: with plate tone, printed in black and brown ink (signed and dated below the plate, in pencil: 2002 f pannekoek; inscribed at lower margin: 3 encres + black VIII)
CU, inv. 2003-P.85: with plate tone, printed in brown ink (signed below the plate, in pencil: f pannekoek; inscribed at margin: 4 IV)
CU, inv. 2003-P.83: with plate tone (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: Noir 14)
CU, inv. 2003-P.84: with plate tone, printed in brown ink (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: trop humide, 17)
RP-P-2017-1120-42: with light plate tone, reworked with brush in red (inscribed below the plate, with brush in red: I fpannekoek 2002; and at margin right: 20/20 10 sept.)
CU, inv. 2003-P.88: with plate tone, printed in brown ink and retouched with watercolour (inscribed below the plate, with brush: AJO IV 12 sept 2002 f pannekoek; and at margin, in pencil: 25)
exhibitions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 49 (CU, inv. 2003-P. 86)

Frans Pannekoek
Knoflook
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.87

FP 02-13
Patate/Potato, September 2002
etching, 128 × 80 mm, lettered in the plate, at upper centre: PATATE 2002, gros couillon I, A L’AIR; at upper right: 20 min 1151 +; and at lower centre: fp (mirror writing)
impressions:
Ist state:
CU, inv. 2003-P.89: with plate tone, printed in brown ink (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: uitgelopen aardappel, 1, 3 sept 2002)
IIIrd state: reworked with drypoint and aquatint, lettering added at upper right: 20 min 1151+, +10+, +5+0+; and at lower left: le couillon de l'été á l'ombre
CU, inv. 2003-P.90: with plate tone (inscribed below the plate, in pencil: 2002, f pannekoek; and at margin; 5 III)

Frans Pannekoek
Patate
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.89

Frans Pannekoek
Patate
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.90

FP 02-14
Wild zwijn/Wild Boar, September 2002
drypoint, 59 × 77 mm, lettered in the plate, at upper centre: A Pisanello, 8,7 X
impressions:
Ist state:
CU, inv. 2003-P.93: with plate tone (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: 1, 8 oct 2002, sec v epais, 180)
IInd state: lettered at upper centre extended, before (A Pisanello, 8,7 X): pegaso; and at upper right: illegible
CU, inv. 2003-P.91: with plate tone, printed in brown ink (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: 10 IX)
RP-P-2017-1120-43: with light plate tone (inscribed at lower right margin, in pencil: 9 oct 3.III)
CU, inv. 2003-P.92: with plate tone (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin, in pencil: 16)
comments: Pannekoek (oral comment, December 2017): shot near Montfroc by Alain Roux.

Frans Pannekoek
Wild zwijn
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.93

Frans Pannekoek
Wild zwijn
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.91

Frans Pannekoek
Wild zwijn
Amsterdam, Rijksprentenkabinet, inv./cat.nr. P-P-2017-1120-43

Frans Pannekoek
Wild zwijn
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.92

FP 02-15
Staart/Ponytail, September 2002
drypoint, 78 × 100 mm, lettered in the plate, at upper centre: my Spring’s ponytail for ANNA, 2002, fp; and along upper left plate mark: Sept 8, (mirror writing) 9
impressions:
CU, inv. 2003-P.98: with plate tone, printed in brown ink (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: 2)
CU, inv. 2003-P.97: with plate tone, printed in black and brown ink ((signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: V, 2 inks)
CU, inv. 2003-P.94: with plate tone (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: (?) 6)
CU, inv. 2003-P.96: with plate tone, printed in brown ink (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: 7)
CU, inv. 2003-P.95: with plate tone, printed in brown ink (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: 15)
exhibitions: Pannekoek 2010; Paris 2011
literature: Schatborn 2011, no. 50 (CU, inv. 2003-P. 98)
comments: dedicated to ANNA: Anneke van Brussel.

Frans Pannekoek
Staart
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.98

FP 02-16
Twee bomen/Two Trees, September 2002
etching and aquatint, lettered in the plate, at lower right corner: FP 2002
impressions:
Ist state:
CU, inv. 2003-P.53: with plate tone (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: 30 Sept, épreuve 2 II; verso: alpes lac de Serre Ponçon, près de St Vincent les Forts)
IInd state: lettering added to (FP 2002): hautes Alpes 05 (…)
CU, inv. 2003-P.56: with plate tone, printed in black and brown ink (signed below the plate, in pencil: f pannekoek; inscribed at lower margin: 4 Okt, 12)
CU, inv. 2003-P.54: with plate tone, heightened with Blanc de Marly (inscribed at margin, in pencil: f pannekoek, 13, 4 X)
CU, inv. 2003-P.55: maculature impression, with plate tone, printed in black and brown ink (inscribed at margin, in pencil: f pannekoek 2002, 25)

Frans Pannekoek
Twee bomen
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.53

Frans Pannekoek
Twee bomen
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.56

Frans Pannekoek
Twee bomen
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.54

Frans Pannekoek
Twee bomen
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.55

FP 02-17
Arroyo San Ambrosio, October 2002
etching, 89 × 140 mm, lettered in the plate, at upper centre: Arroyo San Ambrosio & mangueta
impressions:
Ist state:
CU, inv. 2003-P.59: with plate tone, printed in brown ink (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: Claes Jansz Visscher, graveur imprimeur à Amsterdam XIIeme, épreuve I, comme toutes 1, 26 X 02)
IInd state: lettering added to (Arroyo San Ambrosio & mangueta): fp & son, 2002
CU, inv. 2003-P.57: with plate tone, printed in brown ink (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: 5)
CU, inv. 2003-P.58: with plate tone (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: 8)
comments: the location is Zahora à Vejer de la Frontera.

Frans Pannekoek
Arroyo San Ambrogio
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.59

Frans Pannekoek
Arroyo San Ambrogio
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.57

Frans Pannekoek
Arroyo San Ambrogio
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.58

FP 02-18
Pijnboom/Pine Tree, October 2002
etching and aquatint, 89 × 110 mm
edition: 25
impressions:
CU, inv. 2003-P.60: with plate tone, printed in brown ink (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: 22/25)
CU, inv. 2003-P.61: with plate tone (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: 25/25)
comments: Pannekoek (oral comment, December 2017): location, Saint-Vincent-des-Forts (Alpes-de-Haute-Provence), crashed there and had to be operated on his neck.

Frans Pannekoek
Pijnboom
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.60

Frans Pannekoek
Pijnboom
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.61

FP 02-19
Dorp N.O. 86/Village N.O. 86, November 2002
drypoint, 100 × 120 mm, lettered in the plate, at upper centre: DORP N.O. 86
edition: 25
impressions:
Ist state:
CU, inv. 2003-P.46: with plate tone, printed in dark brown ink (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: RAW NORTH avec la colère, épreuve 1 I, f.p.; at right margin: opleven en dood de winter (…) gedrukt. V.A.(?), 30 oct 2002 montfroc comme je l'ai connu mon pays)
CU, inv. 2003-P.47: with plate tone, printed in dark brown ink (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: 7)
IInd state: skate tracks added
CU, inv. 2003-P.48: with plate tone (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin: 20)
CU, inv. 2003-P.49: with plate tone (signed and dated below the plate, in pencil: f pannekoek 2002; inscribed at margin, in pencil: 25/25 (crossed out) 20 +5, 1 Nov 2002)
comments: Pannekoek (oral comment, December 2017): after the etching ‘Winterlandschap nabij Rotterdam’ (1875) (D. 19) of Johan Barthold Jongkind.

Frans Pannekoek
Dorp N.O. 86
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2003-P.46

2005

FP 05-1
Kop van een Gier/Head of a Vulture in Flight, February 2005
drypoint, 90 × 124 mm, lettered in the plate, at upper centre: 30 XI 005
impressions:
Ist state:
CU, inv. 2007-P.31: with little plate tone (inscribed at margin, in pencil: 1, 2/2 '05, l'aventure commence prueba)
IInd state: lettering at upper centre extended: Blay Olmos
RP-P-2017-1120-44: with light plate tone (inscribed at lower right margin, in pencil: f.p. propriedad (propuedad?); and left: 28)
CU, inv. 2007-P.32: with plate tone (inscribed at margin, in pencil: 4, 3XII)
CU, inv. 2007-P.33: with plate tone (inscribed at margin, in pencil: 11)
CU, inv. 2007-P.35: with plate tone, reworked with watercolour in brown and black (inscribed at margin, with brush: BON VOYAGE! 7.12 '05; and in pencil: 16)
CU, inv. 2007-P.34: with plate tone (inscribed at margin, in pencil: 22)
CD, gift 2009: with plate tone, printed in black and brown ink (inscribed below the plate: voor Charles en Niovy nu dit samenzijn 21 December 2009 frans p; and at lower margin, in pencil: 31 otzu (?) tinta negra)
exhibitions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 19 (CU, inv. 2007-P.33)
comments: the print is dedicated to Blaij Olmos of Arcones. Drawings of the head of the vulture in sketchbook Cuaderno de Chroner II, 2004-2005, (CU, inv. 2007-T.5).

Frans Pannekoek
Kop van een gier
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2007-P.31

FP 05-2
Boten aan een water bij Barbate/Boats near Barbate, October 2005
drypoint, 114 × 149 mm, lettered in the plate, at upper left: FP 30 X 05
impressions:
CU, inv. 2007-P.36: with little plate tone (inscribed at margin, in pencil: 10)
RP-P-2017-1120-45: with light plate tone (inscribed at lower right margin, in pencil: 20
IInd state: illegible lettering added to (FP 30 X 05)
CU, inv. 2007-P.37: with little plate tone (inscribed at margin, in pencil: 23. 12 XI 05)
literature: Schatborn 2011, no. 37 (CU, inv. 2007-P.37)
comments: a drawing in pencil with the same view can be found in sketchbook Cuaderno de Chroner II, 2004-2005 (CU, inv. 2007-T.5).

Frans Pannekoek
Boten aan een water bij Barbate
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2007-P.36

Frans Pannekoek
Boten aan een water bij Barbate, oktober 2005 gedateerd
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-45

Frans Pannekoek
Boten aan een water bij Barbate
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2007-P.37

FP 05-3
AUTÔMNE, Druiventros/Autumn/Bunch of Grapes, 2005
drypoint, 84 × 155 mm, lettered in the plate, at bottom left: FP 15 XI 05, AUTÔMNE
impressions:
RP-P-2017-1120-46: with light plate tone, reworked with fingers in green and pink watercolour (inscribed at margin, in pencil: fingerpainted colour; and at lower right: 3)
CU, inv. 2007-P.45: with little plate tone, reworked with fingers in green and pink watercolour (inscribed at margin, in pencil: fingerpainted colour, 4)
RP-P-20177-1120-47 (inscribed at lower margin, in pencil: 10)
CU, inv. 2007-P.44: with little plate tone (inscribed at lower margin, in purple pencil: 15)
CU, inv. 2007-P.43: with plate tone (inscribed at lower margin, in purple pencil: 24)
exhibitions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 49 (CU, inv. 2007-P.44)

Frans Pannekoek
Autômne, Druiventros, 2005 gedateerd
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-46

FP 05-4
Vallende baby mol/Desiccated mole pup, November 2005
drypoint, 118 × 106 mm, lettered in the plate, at upper left: FP 200(?)
impressions:
Ist state:
CU, inv. 2007-P.46 (inscribed at lower left margin, in pencil: 8, 27 XI 05)
IInd state: illegible lettering added in the plate, at upper centre; monogram and dating at upper left of plate crossed out
CU, inv. 2007-P.47: Inscribed vertically at left margin, in felt pen: 26 même pression, nouveau feutre lavé au savon de marseille)

Frans Pannekoek
Gedroogd molletje
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2007-P.46

Frans Pannekoek
Gedroogd molletje
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2007-P.47

FP 05-5
Gezicht op La Muela/View of La Muela, November 2005
drypoint, 118 × 170 mm, lettered in the plate, at upper left corner: FP 23
impressions:
CU, inv. 2007-P.48: with light plate tone (inscribed at lower margin, in pencil: 5/3, 26.10.2005)
CU, inv. 2007-P.49: with light plate tone (inscribed at lower right margin, in pencil: 14)

Frans Pannekoek
Gezicht op La Muela
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2007-P.48

Frans Pannekoek
Gezicht op La Muela
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2007-P.49

FP 05-6
Zelfportret aan het wiel van de etspers/Self-portrait as a Printer, November 2005
drypoint, 113 × 70 mm, lettered in the plate along right plate mark, in mirror writing: seule contacte avec léternité, fp XI 05
impressions:
CU, inv. 2007-P.29: with plate tone (inscribed at lower right margin, in pencil: 8/6)
RP-P-20177-1120-48: with light plate tone (inscribed at lower right margin, in pencil: 24)
CU, inv. 2011- P.94: with plate tone (inscribed at lower margin, in purple pencil: 14 XI 2005 14/7)
CU, inv. 2011-P.95: with heavy use of plate tone (inscribed at margin, in purple pencil: 16)
CU, inv. 2011-P.96: with heavy use of plate tone (inscribed at lower margin, in purple pencil: 21)
exhibitions: Amsterdam 2010; Paris 2011; Paris 2018
literature: Schatborn 2011, no. 57; Grison 2018, no. 59
comments: Pannekoek (oral comment, December 2017): first attempt at drawing a hand, the important thing is the fall of light on the hands. Uses a converted shoemaker’s press. A drawing of the complete composition of the arm and head in sketchbook Cuaderno de Chroner II, 2004-2005, CU, inv. 2007-T.5).

Frans Pannekoek
Zelfportret aan het wiel van de etspers
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2007-P.29

FP 05-7
Dunas/Dune Landscape, December 2005
drypoint, 88 × 108 mm
impressions:
CU, inv. 2007-P.27: with plate tone (inscribed at margin, in pencil: prueba 1, 12/12 05, Dunas, autre encre)
RP-P-2017-1120-49: with light plate tone (inscribed at margin, in pencil: f.p., 4)
CU, inv. 2007-P.28: with plate tone, printed in brown ink tone (inscribed at lower right margin, in pencil: 5)
CU, inv. 2011-P.73: printed in brown ink (signed in pencil below the plate: f pannekoek; inscribed at lower margin: ALPES II, la preuve abstract es plus facil pour (…) 5, III/25, 16 oct)

Frans Pannekoek
Dunas
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2007-P.27

FP 05-8
Kustlijn tussen Barbate en Zahara de los Atunes/Coastline between Barbate and Zahara de los Atunes, December 2005
drypoint, 110 × 139 mm, lettered in the plate, at bottom left: FP XII 05
edition: 12
impressions:
CU, inv. 2017-P.33: with plate tone (inscribed at margin, in pencil: 2/12)
CU, inv. 2007-P.30: with plate tone (inscribed at lower margin, in pencil: 8/12)

Frans Pannekoek
Kustlijn tussen Barbate en Zahara de los Atunes
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2017-P.33

Frans Pannekoek
Kustlijn tussen Barbate en Zahara de los Atunes
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2007-P.30

FP 05-9
Tres Faluchas/Three Tuna Fishing Boats, December 2005?
drypoint, 88 × 142 mm, lettered in the plate, at upper centre: 3 Faluchas, a mano
impressions:
CU, inv. 2007-P.38: with plate tone (inscribed at margin, in pencil: 4; and below, in purple pencil: 4)
CU, inv. 2007-P.39: with plate tone, printed in brown ink (inscribed at lower margin, in pencil: 6 bien)
RP-P-2017-1120-3: with little plate tone (inscribed at margin, in pencil: 24)
comments: fishing boats on land, waiting for the tuna fishing-season. A carpenter is repairing a boat.

Frans Pannekoek
Tres Faluchas
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2007-P.38

Frans Pannekoek
Tres Faluchas
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2007-P.39

Frans Pannekoek
Tres Faluchas
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-3

FP 05-10
Labyrintus Vitae/Labyrinthus Vitae, December 2005
etching, 110 × 139 mm, lettered in the plate, at upper centre: FP, 24 XII, Labyrintus Vitae
impressions:
Ist state:
CU, inv. 2017-P.34: with surface tone (inscribed at lower margin, in purple pencil: 1, 26 XII '05)
IInd state: lettering at upper centre extended: PM
CU, inv. 2007-P.41: with plate tone and surface tone (inscribed at lower margin, in pencil: 3/27 XII)
CU, inv. 2007-P.40: with plate tone and surface tone (inscribed at lower margin, in pencil: 20)
CU, inv. 2007-P.42: with little plate tone, printed in brown ink (inscribed at lower margin, in pencil: 24)
comments: Pannekoek (oral comment, December 2017): the print is dedicated to Piet Mondrian, who said that 'Central Park was too green.'

Frans Pannekoek
Labyrintus vitae
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2017-P.34

Frans Pannekoek
Labyrintus vitae
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2007-P.41

Frans Pannekoek
Labyrintus vitae
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2007-P.40

Frans Pannekoek
Labyrintus vitae
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2007-P.42

2009

FP 09-1
Portret van Anneke van Brussel/Portrait of Anneke van Brussel, c. 2008
drypoint, 118 × 170 mm, lettered in the plate, at upper left: AvB
impressions:
CU, inv. 2010-P.17: with plate tone (inscribed at lower margin, in pencil: proof 2)
CU, inv. 2010-P.18: with plate tone (inscribed at lower margin, in pencil: 11)
comments: Anneke is looking in the direction of La Muela, the drawing was made near San Ambrosio.

Frans Pannekoek
Portret van Anneke van Brussel
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2010-P.17

Frans Pannekoek
Portret van Anneke van Brussel
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2010-P.18

FP 09-2
Drowned coucou/Drowned Cuckoo, March 2009
etching, 148 × 112 mm, lettered in the plate, at lower right: fp, 2009, DROWNED COUCOU
impressions:
CU, inv. 2010-P.1A: printed in black and brown ink, reworked with brush in grey (inscribed at margin, with brush: Retouché; and in pencil: 4 III)
SW (2508, coll. RW): with book: with light plate tone (inscribed at lower right margin, in pencil: 6 II)
CU, inv. 2010-P. 3: reworked with brush in greyish blue and orange watercolour (inscribed at margin, in pencil: every print a surprise print! 13IV)
CU inv. 2010-P.2: reworked with brush in blue, brown and black watercolour (inscribed at margin, in pencil: blue brown & black, 23)
CU, inv. nr. 2010-P. 4: with plate tone, retouched with brush in greyish blue watercolour (inscribed at margin, in pencil: 13X, 28)
RP-P-2017-1120-50: with light plate tone (inscribed at lower right margin, with brush in blue: 31)
RH
FM, P.197-2015 (donated by FP in memory of Carlos van Hasselt)
An impression added in the deluxe edition by the Hercules Segers Stichting of Schatborn 2010.
literature: Schatborn 2011, p. 6
comments: the artist found the cuckoo drowned in a water barrel next to his house on 12 June 2009. A preparatory study in sketchbook V, 2007-2011 (CU, inv. 2013-T-136: 12 VI (?) 09, vandaag verdronken in watervat)

Frans Pannekoek
Drowned coucou
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2010-P.1A

FP 09-3
Drugs, BMW’s, Crash, April 2009
etching and aquatint, 100 × 138, lettered in the plate, at upper centre: La jeunesse s'éclate, 2009 TEMS [sic] MODERNES, BARBATE; at upper left corner: 04 2009 FP); and at lower right: cebo vivo
impressions:
CU inv. 2010-P. 24: with light plate tone (inscribed at lower right margin, in pencil: 5)
CU inv. 2010-P. 23: with plate tone, printed with little black and brown ink, lettering at upper centre illegible (inscribed at lower right margin, in pencil: 8)
comments: Pannekoek (oral comment, December 2017): the crashed BMW of a drug baron. A drawing of a crashed car in sketchbook IV, 2005-2006, CU, inv. 2010-T-14.

Frans Pannekoek
Drugs, BWM's, Crash
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2010-P.24

Frans Pannekoek
Drugs, BWM's, Crash
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2010-P.23

FP 09-4
Grote veer/Large Feather, June 2009
drypoint, 104 × 273 mm, lettered in the plate, at bottom centre: THIS IS NOT A FEATHER, FP
edition: 35
impressions:
RP-P-2017-1120-51: with light plate tone (inscribed at lower right margin, in pencil: c21/VI, 3 julio? 2009)
Ist state:
CU, inv. 2010-P.40: with plate tone, printed in brown ink (inscribed at right margin, in purple pencil: proof 1, 27 VI 0009 F pannekoek; and below in pencil: dry paper 10 min)
CU, inv. 2010-P.41: with little plate tone (inscribed at lower right margin, in pencil: 2/I 28 VI 09)
Vth state: parallel hatching in bottom half, hairs of feather filled in
CU, inv. 2010-P.42: with plate tone, printed in brown ink (inscribed at lower right margin, in pencil: 9V)
CU, inv. 2010-P.43: with plate tone (inscribed at lower right margin, in pencil: 1 July 17 V)
VIth state: feather reworked in drypoint, lettering added at bottom centre, between (THIS IS) and (NOT A FEATHER, FP): STILL (vertical)
CU, inv. 2010-P.44: with plate tone (inscribed at lower left margin, in pencil: 18/VI (…) 2 July 2009)
CU, inv. 2010-P.48: with plate tone, printed in black and brown ink ((inscribed at lower right margin, in purple pencil: 26)
CU, inv. 2010-P.46: with plate tone (inscribed at lower right margin, in purple pencil: 27)
CU, inv. 2010-P.45: with plate tone, printed in blue ink (inscribed at right margin, in pencil: 16 X 09, 34)
CU, inv. 2010-P.47: with plate tone, printed in black with a little bit of blue ink (inscribed at lower left margin, in pencil: 35, last!)
literature: Schatborn 2011, p. 17, fig. 16 (CU, inv. 2010-P.34)

Frans Pannekoek
Grote veer
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-51

Frans Pannekoek
Grote veer
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2010-P.40

Frans Pannekoek
Grote veer
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2010-P.41

Frans Pannekoek
Grote veer
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2010-P.42

FP 09-5
SKULL II/Human Skull after Hercules Segers, September 2009
drypoint, 110 × 133 mm, lettered in the plate, at upper centre: SKULL II; and at bottom left: FP 2009
edition: 29?
impressions:
IInd state:
CU, inv. 2010-P.8: with plate tone, printed in dark brown and black ink (inscribed at margin, in purple pencil: 2/2)
VIth state: reworked with drypoint
CU, inv. 2010-P.10: with plate tone, printed in dark brown ink (inscribed at margin, in purple pencil: 7/VI 21 1X 09)
CU, inv. 2010-P.11: with plate tone, printed in dark brown and black ink (inscribed at lower margin, in purple pencil: après Hercules, 8 VI)
VIIe state: reworked with drypoint
CU, inv. 2010-P.16: with plate tone (inscribed at lower margin, in purple pencil: 9/VII)
CU, inv. 2010-P.14: with plate tone, printed twice in brown ink, reworked with brush in red watercolour (inscribed at lower right margin, in purple pencil: 11/VII 23 IX)
CU, inv. 2010-P.12: with plate tone, printed in black and (traces of) brown ink (inscribed at lower right margin, in pencil: 13)
VIII state: reworked with drypoint
CU, inv. 2010-P.13: with plate tone (inscribed at lower right margin, in pencil: 14)
CU, inv. 2010-P.5: with plate tone, printed in brown ink, lettering at upper centre not inked (inscribed at lower right margin, in purple pencil: 21)
CU, inv. 2010-P.6: maculature impression, printed in brown ink, lettering at upper centre not inked (inscribed at lower right margin, in purple pencil: 22)
CU, inv. 2010-P.15: with plate tone, reworked with brush in watercolour (inscribed at right margin, with brush: 26/IX BRAIN WASH (vertical); and at lower right corner, in purple pencil: 26)
CU, inv. 2010-P.7: with light plate tone (inscribed at lower right margin, in purple pencil: 27)
RP-P-2017-2011-52: with light plate tone (inscribed at lower right margin, in pencil: 28-29 (28))
CU, inv. 2010-P.9: with plate tone (inscribed at lower right margin, in purple pencil: 29, last! 30/31)
literature: Schatborn 2011, p. 13 (CU, inv. 2010-P.10)
comments: the print is based on the reproduction of a painting attributed to Hercules Segers in John Rowlands, Hercules Segers, London 1979, pl. 1.

Frans Pannekoek
Skull II
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2010-P.8

Frans Pannekoek
Skull II
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2010-P.10

Frans Pannekoek
Skull II
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2010-P.11

FP 09-7
Sleeping Giant. 2009
etching, aquatint and drypoint, 128 × 148 mm, lettered in the plate, at bottom left: FP 2009
edition: 29?
impressions:
Ist state: without giant
CU, inv. 2010-P.19: with plate tone (inscribed in margin, in pencil: prueba 1, 26 X 2009)
CU, inv. 2010-P.20: reworked with Indian ink (inscribed at margin, with brush: gigante enterrado 28 (crossed out) 29 X, I; inscribed with pencil: one oak, 4)
XIth state: aquatint added; lettering added at upper centre: sleeping giant, 3 semper (rest illegible)
CU, inv. 2010-P.21: with plate tone, printed in brown ink (inscribed in margin, in pencil: ''boy, brown 22 XI)
XIIth state: lettering added to (sleeping giant, 3 semper): virens, FORE LAST
CU, inv. 2010-P.22: with plate tone (inscribed at margin, in pencil: 28)
comments: Pannekoek (oral comment, December 2017): an imaginary landscape somewhere between Algodonales and El Bosque inspired by Francisco Goya's Gran Coloso dormido, the (brick) giant buried in Mathijs Röling’s garden and the Bomarzo gardens in Italy.

Frans Pannekoek
Sleeping giant
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2010-P.19

FP 09-8
Appeltje voor de dorst/Set Something Aside for a Rainy Day, October 2009
drypoint, 90 × 110 mm, lettered in the plate, at upper left corner: FP 2009, voor de dorst
edition: 25
impressions:
Ist state:
CU inv. 2010-P.25: with plate tone (inscribed at margin, in pencil: 1, 17 X 09)
IInd state: reworked with drypoint
CU, inv. 2010-P.26: with plate tone (inscribed at margin, in purple pencil: 5)
IIIrd state: lettering at upper left corner extended: naar macht
RP-P-2017-1120-53: with light plate tone (inscribed at margin, in pencil: 20 X 09, 13)
CU, inv. 2010-P.28: with plate tone, printed in black and brown ink (inscribed at margin, in purple pencil: 16, 20 X 09)
CU, inv. 2010-P.27: with plate tone, printed in brown ink (inscribed at margin, in purple aniline pencil: 20 X 09, 19)
CU, inv. 2010-P.29: with plate tone (inscribed at margin, in purple pencil: 22 X 09, 25 last)

Frans Pannekoek
Appeltje voor de dorst
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2010-P.25

FP 09-9
Amigo ligero de equipage/Lightweight Luggage Friend, November 2009
etching and drypoint, 129 × 150 mm, lettered in the plate, at upper centre: amigo ligero de equipaje; at upper right: illegible; and at lower left: FP 2009, TO PATO, HI-HO
edition: 25
impressions:
IInd state:
RP-P-2017-1120-54: with light plate tone (inscribed at lower right margin, in pencil: 2 II Sabato 7 Nov. 2009)
CU, inv. 2010-P.34: with plate tone, printed in black and brown ink (inscribed at lower right margin, in pencil: 6)
CU, inv. 2010-P.30: with plate tone, printed in black and (traces of) brown ink (inscribed at margin, in pencil: 9 II)
CU, inv. 2010-P.31: with plate tone, printed in black and blue ink (inscribed at margin, in pencil: 17, 11 XI 09)
CU, inv. 2010-P.32: with plate tone, printed in black and blue ink (inscribed at margin, in pencil: 20, 12 XI 09)
IIIrd state: reworked with drypoint at lower right below tree
CU, inv. 2010-P.33: with plate tone (inscribed at margin, in pencil: 25, last, 13 XI 09)
comments: the title refers to Antonio Machado's 'Ligero de equipaje'. Pato refers to Ramón, a friend of the artist who was always singing while flying hang-gliders.

Frans Pannekoek
Amigo ligero de equipaje, juni 2009 gedateerd
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-54

FP 09-10
Gezicht op de Sierra de Cadiz/View of the Sierra de Cadiz, November 2009
etching and aquatint, 129 × 159 mm, lettered in the plate, at upper centre: rien a foutre, pour, vivre en silence; at upper right corner: domingo 15 novembre; and at lower left corner: fp 2009 (…)
edition: 25
impressions:
Ist state:
CU, inv. 2010-P.35: with plate tone (inscribed at margin, in pencil: épreuve 1, 17 XI 2009)
IInd state: etching added
CU, inv. 2010-P.36: with plate tone, printed in black and greyish blue ink (inscribed at lower right margin, in pencil: 3 II 20 XI)
RP-P-2017-1120-55: with plate tone (inscribed at lower right margin, in pencil: 8)
IIIrd state: lettering added in the plate, at centre left: d’après Fabien
CU, inv. 2010-P.37: with plate tone, printed in brown ink (inscribed at margin, in pencil: 4 III, 24 XI 09)
CU, inv. 2010-P.39: with plate tone, printed in black, grey and blue ink (inscribed at margin, in pencil: 7)
BM, P & D, inv. 2011.7045.5 (donated by JPFK): (inscribed below the plate, in pencil: 10/25; and at lower margin: 2.XII. 09; and: voor JP als ie er mee te vreden is, deze wildernis fp)
CU inv. 2010-P.38: with plate tone, printed in black, brown and bluish grey ink (inscribed at lower right margin, in pencil: 12, 3 XII)
literature: Schatborn 2011, p. 12, fig. 6; Filedt Kok 2011, pp. 461-62
comments: Pannekoek (oral comment, December 2017): inspired by the work of Vincent van Gogh.

Frans Pannekoek
Gezicht op de Sierra de Cadiz
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2010-P.35