RKD STUDIES

1998

FP 98-1
Deux branches avec des fleurs/Two Branches with Blossom, January 1998
drypoint, 98 × 128 mm, lettered in the plate, along upper plate mark: l'été, le paradis, s'enfuit comme une musaraigne sans toucher les herbes, 2 I 98 FP No 17
edition: 25
impressions:
RP-P-2017-1120-25: with plate tone (inscribed below the plate, in pencil: f pannekoek; and at margin: 14)
CU, inv. 1999-P.47: with plate tone (inscribed below the plate, in pencil: f pannekoek 6/25; and at margin: 6)
CU, inv. 1999-P.49: with plate tone (inscribed below the plate, in pencil: f pannekoek 8/25; and at margin: 8)
CU, inv. 1999-P.50: with plate tone (inscribed below the plate, in pencil: f pannekoek 8/25; and at margin: 6-1 '98, 8)
CU, inv. 1999-P.48: with plate tone (inscribed below the plate, in pencil: f pannekoek 12/25; and at margin: 12)
CU, inv. 1999-P.51: with plate tone (inscribed below the plate, in pencil: f pannekoek 22/25; and at margin: 22)
CU, inv. 1999-P.52: with plate tone (inscribed below the plate, in pencil: f pannekoek 25/25; and at margin: 25)
comments: Frans Pannekoek (oral comment, December 2017): inscription inspired by a poem of Vail de Lencour ('Et les jours ne sont pas assez long, et les nuits ne sont pas assez long, et la vie s'enfuit comme une musaraigne, sans froisser l'herbe').

Frans Pannekoek
Twee takken met bloesem, Deux branches avec des fleurs, januari 1998 gedateerd
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-25

Frans Pannekoek
Twee takken met bloesem, Deux branches avec des fleurs
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.47

FP 98-2
La ferme de Sandrine de mon deltaplane/Aerial View of Sandrine’s House, January 1998
drypoint, 118 × 98 mm, lettered in the plate, at upper centre, in cartouche: Les Grillots, toujours pour Sandrine (…) frans 98
edition: 12
impressions: with plate tone (inscribed below the plate, in pencil: 4/12 fp.; and at margin: 4, 19 1 98)
CU, inv. 1999-P.62: with plate tone (signed above the image, in pencil: f pannekoek; numbered below the plate: 10/12; and inscribed at margin: 10)
comments: oral comments Frans Pannekoek, December 2017: 'Les Grillots' is the estate of Sandrine Gabriel between Châteauneuf-de-Chabre and Séderon. Pannekoek flew over the property in his hang glider.

Frans Pannekoek
Gezicht op een huis uit de lucht gezien, Vue dune maison [prise] du ciel
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.62

FP 98-3
Une coquille/Shell, January/February 1998
drypoint, 118 × 108 mm
edition: 25
impressions:
Ist state:
CU, inv. 1999-P.63: with little plate tone (inscribed below the plate, in pencil: f pannekoek 1/25; and at margin: I, 18 1/98)
IInd state: shell reworked and lettering added in the plate, at lower left: II 1998, pour Sandrine, mon étoile de mes soixantes
CU, inv. 1999-P.67: with plate tone (inscribed below the plate, in pencil: f pannekoek 11/25; and at margin: 2me état, II, 22 2-98)
IIIrd state: shell reworked; lettering added at upper centre: Frans Pannekoek
CU, inv. 1999-P.64: with little plate tone (inscribed below the plate, in pencil: f pannekoek 3/25; and at margin: hommage a les petites (…) 3me etat 23)
IVth state: shadow added left of shell, lettering added in the plate, at bottom centre: souvenir de tes belles nénés
CU, inv. 1999-P.65: with plate tone (inscribed below the plate, in pencil: f pannekoek 6/25; and at margin: 6)
CU, inv. 1999-P.66: with plate tone (inscribed below the plate, in pencil: f pannekoek 10/25; and at margin: 10)
CU, inv. 1999-P.68: with plate tone (inscribed below the plate, in pencil: f pannekoek 13/25; and at margin: 11 25 13)
CU, inv. 1999-P.69: with plate tone (inscribed below the plate, in pencil: f pannekoek 17/25; and at margin: 17)
CU, inv. 1999-P.70: with light plate tone, printed in brown ink (inscribed below the plate, in pencil: f pannekoek 18/25; and at margin: 27-11 '98, 18)
RP-P-2018-578 (bequest T. Cornips; donated by F. Harmsen van Beek): with light plate tone (inscribed below the plate, in pencil: f pannekoek 19/25; and at margin: 19 (?))
CU, inv. 1999-P.71: with plate tone (inscribed below the plate, in pencil: f pannekoek 21/25; and at margin: 21. 27 II '98)
exhibitions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 27 (CU, inv. 1999-P.68)
comments: Pannekoek depicted the Conus marmoreus, the same type of shell that Rembrandt depicted (from a different angle) in an etching of 1650. This is the only print in which Pannekoek applied shadow for the fun of it, in memory of R. v R.

Frans Pannekoek
Schelp, Une coquille
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.63

FP 98-4
Grote en kleine schelp/Large and Small Shell, February 1998
drypoint, 108 × 108 mm, lettered in the plate, at upper right corner: FP pour SG, d'une beauté à l'autre, sea & earth, á Yannick
edition: 25
impressions:
CU, inv. 1999-P.1: with plate tone (inscribed below the plate, in pencil: f pannekoek 5/25; and at margin: 5, 6 II 98)
CU, inv. 1999-P.2: with plate tone, printed in brown ink (inscribed below the plate, in pencil: f pannekoek 6/25; and at margin: 6)
CU, inv. 1999-P.3: with plate tone (inscribed below the plate, in pencil: f pannekoek 9/25; and at margin: 9)
CU, inv. 1999-P.4: with plate tone (inscribed below the plate, in pencil: f pannekoek 11/25; and at margin: 11)
CU, inv. 1999-P.5: with plate tone (inscribed below the plate, in pencil: 15/25, f pannekoek; and at margin: 15)
exhibitions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 26 (CU, inv. 1999-P.1)
comments: Pannekoek (oral comment, December 2017): the text refers to Louis-Ferdinand Céline's 'D'un château l'autre' (1957); S.G. (initials Sandrine Gabriel).

Frans Pannekoek
Grote en kleine schelp
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.1

Frans Pannekoek
Grote en kleine schelp
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.2

Frans Pannekoek
Grote en kleine schelp
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.3

Frans Pannekoek
Grote en kleine schelp
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.4

Frans Pannekoek
Grote en kleine schelp
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.5

1999

FP 99-1
Vlinder bij Montfroc, slachtoffer van het verkeer I/Butterfly near Montfroc, Traffic Victim I, Augustus1999
drypoint, 118 × 162 mm, lettered in the plate, at centre left: 8-1999; at bottom left: 1e FP; at bottom centre: aan AvB; and at bottom right: gehavende vlinder
impressions:
Ist state:
CU, inv. 2001-P.96: with plate tone (inscribed below the plate, in pencil: preuve 1/1, fp, 18-8 '99)
IInd state: illegible lettering at bottom left extended to (1e FP, offer van 't verkeer) (mirror writing); extended at bottom centre to (aan AvB, slacht) (mirror writing; and at bottom right before (gehavende): de Zandloper loopt
RP-P-2017-1120-26: with plate tone (inscribed at lower right margin, in pencil: 6/4)
RP-P-2018-581 (bequest T. Cornips; donated by F. Harmsen van Beek): with light plate tone (inscribed below the plate, in pencil: f pannekoek 12(7)25; and at margin: 1/8-12-27)
CU, inv. 2001-P.94: with plate tone, printed in black and brown ink (inscribed at lower margin, in pencil: 8/5 too wet)
CU, inv. 2001-P.95: with little plate tone (inscribed at lower margin, in pencil: keep my breath! 16-8)
CU, inv. 2001-P.97: with little plate tone (inscribed at lower margin, in pencil: 4/3, 19 aout)
CU, inv. 2001-P.98: with little plate tone, hand-coloured in brown (inscribed at lower margin, in pencil: 17-8)
exhibitions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 40 (CU, inv. 2001-P.98)
comments: AvB are the initials of the artist’s friend Anneke van Brussel.

Frans Pannekoek
Vlinder bij Montfroc, slachtoffer van het verkeer I
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.96

Frans Pannekoek
Vlinder bij Montfroc, slachtoffer van het verkeer I, augustus 1999 gedateerd
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-26

FP 99-2
Vlinder bij Montfroc, slachtoffer van het verkeer II/ Butterfly near Montfroc, Traffic Victim II, August 1999
drypoint, 168 × 118 mm, lettered in the plate, at lower left: (…) AOUT, 1999 (mirror writing)
impressions:
Ist state:
CU, inv. 2001-P.99: with little plate tone (inscribed at lower margin, in pencil: FP, epreuve, 1/1 8 Aôut 1999)
IInd state: butterfly reworked with drypoint; lettering in the plate partially erased
CU, inv. 2001-P.100: with little plate tone (inscribed at upper margin, in pencil: 10 aôut 99; at lower margin: 3/3)
IIIrd state: lower right wing of butterfly reworked with drypoint; lettering erased
RP-P-2012-120: with plate tone (inscribed at margin, in pencil: 7/6)
CU, inv. 2001-P.101: with light plate tone (inscribed at lower right margin, in pencil: 5/5, 10 AGO 99)
CU, inv. 2001-P.102: with light plate tone (inscribed at lower margin, in pencil: 6/5)
CU, inv. 2001-P.103: with light plate tone (inscribed at lower right margin: 11/8)
CU, inv. 2001-P.103A: with plate tone, printed in black and brown ink tone (inscribed at lower right margin: 12/8, 13 aout 99)
exhibitions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 41 (CU, inv. 2001-P.103A)

Frans Pannekoek
Vlinder bij Montfroc, slachtoffer van het verkeer II
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.99

FP 99-3
Membrillo del año pasado/Last Year's Quince, August 1999
etching and drypoint, 119 × 119 mm, lettered in the plate, at lower centre: 8 1999; and at bottom centre: Membrillo del Año pasado F.P.F
impressions:
Ist state:
CU, inv. 2001-P.80: with plate tone (inscribed at margin, in pencil: épreuve No 1/1 etat, 25 Aout 99)
IInd state: leaf reworked with drypoint
CU, inv. 2001-P.81: with plate tone (inscribed at margin, in pencil: Acid II, 26 8 99, 2/2)
IIIrd state: leaves reworked
CU, inv. 2001-P.82: with plate tone (inscribed at margin, in pencil: 3/3, 26 8 99 montfroc)
CU, inv. 2001-P.83: with plate tone (inscribed at margin, in pencil: 5/5)
CU, inv. 2001-P.84: with plate tone, printed in black and brown ink (inscribed at margin, in pencil: 7/6)
IVth state: lettering not inked or completely erased
CU, inv. 2001-P.85: with plate tone (inscribed at lower margin, in pencil: 8/6)
CU, inv. 2001-P.86: with light plate tone, printed in brown ink (inscribed at margin, in pencil: 29-8 '99, 15/7)

Frans Pannekoek
Membrillo del año pasado
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.80

FP 99-4
A Rat Race, A Dead Rat, September 1999
etching and drypoint, 120 × 157 mm, lettered at upper centre of plate: A RAT RACE; at lower left: Sept. fp 99 (mirror writing); and below: Mummie
edition: 25
impressions:
Ist state:
CU, inv. 2001-P.104: with plate tone (inscribed at lower margin, in pencil: 1/1 épreuve 7 sept 99 19)
IInd state: lettering added in the plate, at upper centre, after: A RAT RACE: FOREVER, (…) (in mirror writing)
CU, inv. 2001-P.105: with plate tone (inscribed at lower margin, in pencil: 2/2 8 sept 1999)
IIIrd state: most of lettering erased or not inked
CU, inv. 2001-P.106: with plate tone (inscribed at lower margin, in pencil: 6/5 99)
CU, inv. 2001-P.107: with plate tone (inscribed at lower margin, in pencil: 7/6 9-9 1999)
CU, inv. 2001-P.108: printed in brown ink, with little plate tone (inscribed at lower margin, in pencil: 8/7 10 sept 99)
BM, P & D, inv. 2015.7089.4 (donated by JPFK): with light plate tone (inscribed below the plate, in pencil: f pannekoek 9/25; and at lower right margin: 9/7)
exhibitions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 15 (CU, inv. 2001-P. 107) and 15a (CU, inv. 2001- P. 108)

Frans Pannekoek
A rat race, a dead rat
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.104

FP 99-5
Blad noot mies nerf/Leave Nut Puss Nerve, September 1999
drypoint, 118 × 119 mm, lettered in the plate, at lower centre: f.p.; at bottom left: 99 (mirror writing), BLAD NOOT, MIES NERF, 19 (mirror writing)
impressions:
CU, inv. 2001-P.68: with light plate tone (inscribed at lower margin, in pencil: 1/1, 2 sept 99, montfroc, 3 jours)
CU, inv. 2001-P.69: with light plate tone (inscribed at lower margin, in pencil: 4/4, feuilles & noix de l'année passée (neige d'antan))
CU, inv. 2001-P.70: with light plate tone (inscribed at lower margin, in pencil: 6/5)
CU, inv. 2001-P.71: with light plate tone (inscribed at lower margin, in pencil: sa-4-sept 1999, 7/6)
CU, inv. 2001-P.72: with light plate tone (inscribed at lower margin, in pencil: 9/6)
CU, inv. 2001-P.73: with light plate tone, printed in black and brown ink (inscribed at margin, in pencil: 10/6)
comments: The artist’s variant of the opening words of the traditional Dutch reading primer, which reads Aap, noot, mies (Ape. Nut. Puss).

Frans Pannekoek
Blad noot mies nerf
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.68

FP 99-6
Twee noten/Two Nuts, September 1999
dryoint, 70 × 115 mm, lettered in the plate, at lower left, partially in mirror writing: ANNA'S NOOT in de spiegel, f.p. 1999
impressions:
Ist state:
CU, inv. 2001-P.74: with plate tone (inscribed at lower margin, in pencil: 13-9 '99 1)
IInd state: reworked with drypoint, lettering added in the plate, at lower left corner: (nog in de originele verpakking)
CU, inv. 2001-P.75: with plate tone (inscribed at lower margin, in pencil: 3/3 14-9)
CU, inv. 2001-P.76: with plate tone (inscribed at lower margin, in pencil: 5/4; right margin: medaille met keerzijde)
CU, inv. 2001-P.77: with heavy plate tone around nuts (inscribed at lower margin, in pencil: 6/5)
CU, inv. 2001-P.78: with heavily inked nuts (inscribed at lower margin, in pencil: mio es! 8/5 good1)
CU, inv. 2001-P.79: with heavily inked nuts, and lightly inked lettering (inscribed at lower margin, in pencil: 10/6)
exhibitions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 45 (CU, inv. 2001-P.79)
comments: Anna is the artist’s friend Anneke van Brussel.

Frans Pannekoek
Twee noten
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.74

FP 99-7
Een schip op zee/A Ship at Sea, September 1999
etching, 59 × 119 mm, lettered in the plate, at upper centre: THE CONCRETE ONLY; at bottom left: 99 IX FP
impressions:
CU, inv. 2001-P.50: with plate tone (inscribed at lower right margin, in pencil: 5 II)

Frans Pannekoek
Een schip op zee
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.50

FP 99-8
Een krab voor Yannick/A Crab for Yannick, October/November 1999
etching and drypoint, 148 × 118 mm, lettered in the plate, at upper left: le crabe marche de côté comme beaucoup de gens, FP X; and at upper centre: pour Yannick mon fils
impressions:
Ist state: contours etched
CU, inv. 2001-P.51: with light plate tone (inscribed at lower right margin, in pencil: preuve 1/1 21 X 99)
IInd state: crab reworked with drypoint; lettering added at top of plate: gula = futura = a varicia = gula (…) futura = gula = et c =maths
CU, inv. 2001-P.52: with light plate tone (inscribed at lower right margin, in pencil: proof 2/2)
IIIrd state: lettering erased or not inked, except at upper centre of plate: gula pour Yannick mon fils
CU, inv. 2001-P.57: with plate tone, hand-coloured with brush in blue and pink (inscribed at lower margin, in pencil: 3/3 prueba, il est gaucher 22 X 99)
CU, inv. 2001-P.58: with plate tone, hand-coloured with watercolour (signed in the plate, at lower right corner, in pencil: pannekoek X 99; inscribed at lower margin, in brown ink: FP EX 23X; in pencil: papier trop mouillé (…) samedi 23 × 99 No 4/4, le debut)
CU, inv. 2001-P.53: with plate tone (inscribed at lower margin, in pencil: 5/4)
CU, inv. 2001-P.54: with plate tone (inscribed at lower margin, in pencil: 6/9)
CU, inv. 2001-P.55: with plate tone, printed in brown ink (inscribed at lower margin, in pencil: sepia (…) 24 X 1999 8/5)
RP-P-2017-1120-27: with light plate tone around the crab (inscribed at margin, in pencil: 27 X 99, papier RWS impeccable, 21-9me)
CU, inv. 2001-P.56: with plate tone (inscribed at lower margin, in pencil: good 15/6)
exhibitions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 38 (Cu, inv. 2001-P.56) and 38a (Cu, inv. 2001-P.57)
comments: Yannick, Pannekoeks son, is left-handed - just like a crab.

Frans Pannekoek
Een krab voor Yannick
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.51

FP 99-9
Sun, Sea and Sex/A Crab on Its Back, October 1999
etching and drypoint, 98 × 116 mm
impressions:
Ist state: no drypoint
CU, inv. 2001-P.59: with plate tone (inscribed at left margin, in pencil: 1-1 27-X 1999 proof)
IInd state: drypoint added; lettered in the plate, at upper centre: SUN, SEA & SEX 26X FP 1999
CU, inv. 2001-P.60: with plate tone (inscribed at left margin, in pencil: 2-2 provisoire! mèmejour)
CU, inv. 2001-P.61: with plate tone (inscribed at left margin, in pencil: 4-4 too wet new old paper)
IIIrd state: with hinges added in drypoint on the right or the print
RP-P-2017-1120-28: with plate tone around the crab and plate marks (inscribed right margin, in pencil: old paper montfroc 5-5me 30 Oct 99)
CU, inv. 2001-P.62: with plate tone (inscribed at margin, in pencil: 6-6, the new paper is perfect but not the crab!)
CU, inv. 2001-P.63: with plate tone, printed in brown ink (inscribed at lower right margin, in pencil: 19/21)
literature: Filedt Kok 2010, pp. 153-54

Frans Pannekoek
Sun, sea and sex
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.59

FP 99-10
Petite rose sèche/Little Dried Rose, October 1999
etching and drypoint, 95 × 92 mm, lettered in the plate, at lower left: FP, X 1999; at bottom centre: los coños de antes II, petite Rose seche
impressions:
Ist state: no drypoint
CU, inv. 2001-P.87: with plate tone (inscribed at margin, in pencil: I 14 X 1999, I)
IInd state: reworked with drypoint
CU, inv. 2001-P.88: with plate tone (inscribed at margin, in pencil: + pointe S 3/3)
CU, inv. 2001-P.91: with plate tone (inscribed at margin, in pencil: 17 oct 99, 4/4)
CU, inv. 2001-P.92: with plate tone (inscribed at margin, in pencil: 5/5)
CU, inv. 2001-P.89: with little plate tone (inscribed at margin, in pencil: 18 X 99, 6/6)
CU, inv. 2001-P.90: with very little plate tone (inscribed at margin, in pencil: 7/6)
CU, inv. 2001-P.93: with little plate tone (inscribed at margin, in pencil: 9/6)

Frans Pannekoek
Petite rose sèche
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.87

FP 99-11
Schoentjes van Yannick/Yannick's Shoes, October 1999
etching and drypoint 119 × 124 mm, lettered in the plate, at upper centre: YANNICK'S, SHOES, 1998, A 8 ANS; at centre left: FP, X '99 (mirror writing); and at bottom left: F.P. 99
impressions:
Ist state: no drypoint
CU, inv. 2001-P.109: with plate tone (inscribed at margin, in pencil: 1-1, 8 oct 1999, retour des pays)
IInd state: shoe reworked with drypoint
CU, inv. 2001-P.110: with plate tone (inscribed at lower right margin, in pencil: 3/3)
IIIrd state: illegible lettering (mirror writing) added along left plate mark
RP-P-2017-1120-29: with plate tone (inscribed at lower right margin, in pencil: 5/5)
CU, inv. 2001-P.112: with plate tone (inscribed at lower right margin, in pencil: 6/6)
CU, inv. 2001-P.111: with plate tone (inscribed at lower right margin, in pencil: 9/9)
CU, inv. 2001-P.113: with plate tone, printed in black and brown ink (inscribed at lower margin, in pencil: 15? /12)
exhibitions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 52 (CU, inv. 2001-P.113)

Frans Pannekoek
Schoentjes van Yannick
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.109

FP 99-12
Roeiboten bij San Ambrosio/Rowing Boats near San Ambrosio, November 1999
drypoint, 99 × 143 mm, lettered in the plate, at upper centre: del mare, le monde gaspill age est (…), San Ambrosio 99 Vejer; and at upper right: ADUANA
impressions:
CU, inv. 2001-P.41: with plate tone (inscribed at lower margin, in pencil: 1-1-12 -XI 99 à Montfroc)
CU, inv. 2001-P.42: with plate tone (inscribed at lower margin, in pencil: 2/2)
CU, inv. 2001-P.43: with plate tone (inscribed at lower margin, in pencil: 11-9)
CU, inv. 2001-P.44: with plate tone (inscribed at lower margin, in pencil: mio (…) s ultimo, 16-13-15 XI 99)
comments: Pannekoek (oral comment), December 2017: Drug boats from Morocco, confiscated by the customs service.

Frans Pannekoek
Roeiboten bij San Ambrosio
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.41

FP 99-13
Regard sur Méditerranée/View of the Mediterranean, November 1999
etching and drypoint, 111 × 144 mm
impressions:
Ist state:
CU, 2001-P.45: with plate tone (inscribed at lower margin, in pencil: 1-1-18 XI 99 proof)
IInd state: lettering added in the plate, at upper centre: Regard sur Mediterranee, FP X 1999; and at upper right, in mirror writing: Carvájal 22 XI 1981
CU, inv. 2001-P.46: with plate tone (inscribed at lower margin, in pencil: 2-2 19 XI 99)
IIIrd state: lettering at upper centre extended: le Hasard
CU, inv. 2001-P.47: with light plate tone (inscribed at lower margin, in pencil: ça commence 5-5)
CU, inv. 2001-P.48: with plate tone, printed in brown ink (inscribed at lower margin, in pencil: ets+droge naald, 10-8, carvajal cerca de mijas)
IVth state: lettering added at upper left: Gibraltar
CU, inv. 2001-P.49: with plate tone (inscribed at lower margin, in pencil: 16-10)
comments: Pannekoek (oral comment, December 2017): José Antonio Carvájal, a friend and architect from Seville; 'le hasard' refers to the ink stain.

Frans Pannekoek
Regard sur Méditerranée
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.45

FP 99-14
Een schelp/A Shell, November 1999
drypoint, 118 × 119 mm, lettered in the plate, at upper centre: el arte siempre fue territorio de plenitudes, hoy un vacio sin fronteras; at lower left: on murit, on grandit, contre vent et maree, lentement, lentement, (…) troué; and below: FP X1 1999
impressions:
Ist state:
CU, inv. 2001-P.64: with light plate tone ((inscribed at lower margin, in pencil: 1-1 6 XI 99, papier anglaise)
IInd state: shell reworked with drypoint; lettering added at bottom centre: (…) WATER WAVE''continue (?) WATER WAVE
CU, inv. 2001-P.65: with light plate tone ((inscribed at lower margin, in pencil: 3-IIIme XI '99)
CU, inv. 2001-P.66: with light plate tone ((inscribed at lower margin, in pencil: 4-IVme)
CU, inv. 2001-P.67: with little plate tone ((inscribed at lower margin, in pencil: 6.)
comments: after not making prints for a while, the artist often starts again by making a print of a shell.

Frans Pannekoek
Een schelp
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.64

FP 99-15
Tournesol l’hiver/Winter Sunflower, November 1999
Etching and drypoint, 118 × 86 mm, lettered in the plate, at upper centre: Tournesol l'hiver, avec, amour; at upper left: J de Chr VI
impressions:
Ist state:
CU, inv. 2001-P.37: with plate tone (inscribed at lower margin, in pencil: 1-1 14-XII 99)
IInd state: sunflower reworked with drypoint
CU, inv. 2001-P.38: with plate tone (inscribed at lower margin, in pencil: 15 XII 99, 6-3)
IIIrd state: reworked with drypoint; lettering erased or not inked
CU, inv. 2001-P.39: with plate tone (inscribed at lower margin, in pencil: 7-3)
CU, inv. 2001-P.40: with plate tone, printed in brown ink (inscribed at lower margin, in pencil: 17-dernier 19-12)
comments: Pannekoek (oral comment, December 2017): J de Chr (Jardin de Christiane), is a reference to his neighbour in Montfroc.

Frans Pannekoek
Tournesol lhiver
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.37

FP 99-16
Le jardin de Christiane I/Christiane’s Garden I, November 1999
drypoint, 118 × 158 mm
impressions:
RP-P-2017-1120-30: with plate tone (inscribed at margin, in pencil: 5)
CU, inv. 2001-P.28: with plate tone (inscribed at lower right margin, in pencil: 2-2, 23 XI, papier 1979)
comments: preparatory study in Sketchbook (III) 1976-99 (CU, inv. 2000-T.33, 1976: end: 21 XI 99 Montfroc). For the location see FP 99-15.

Frans Pannekoek
Le jardin de Christiane I, november 1999 gedateerd
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-30

Frans Pannekoek
Le jardin de Christiane I
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.28

FP 99-17
Le jardin de Christiane II/Christiane’s Garden II, November 1999
etching and drypoint, 122 × 159 mm, lettered in the plate, at upper centre: (…) le jardin de christiane II; at bottom centre: FP XI 99 MONTFROC
edition: 25
impressions:
RP-P-2017-1120-31: with plate tone (inscribed at margin, in pencil: f pannekoek 3/25; and at lower right margin: 3/2)
CU, inv. 2001-P. 29: with plate tone (inscribed at margin, in pencil: 1-I 27 XI 99)
CU, inv. 2001-P.30: with plate tone, printed in black and brown ink (inscribed at margin, in pencil: 6-4)
comments: preparatory study in Sketchbook (III) 1976-99 (CU, inv. 2000-T.33), at the end: 1976: Le jardin de Christiane II-23 XI 99 Montfroc comme la neige fond toujours!).

Frans Pannekoek
Le jardin de Christiane II, november 1999 gedateerd
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-31

Frans Pannekoek
Le jardin de Christiane II
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.29

Frans Pannekoek
Le jardin de Christiane II
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.30

FP 99-18
Le jardin de Christiane III/ Christiane’s Garden III, November 1999
drypoint, 110 × 133 mm, lettered in the plate, at upper centre: Le Jardin de Christiane III; at bottom left: FP XI 99
impressions:
CU, inv. 2001-P.31: with light plate tone (inscribed at lower right margin, in pencil: 3-III)
CU, inv. 2001-P.32: with light plate tone, printed in brown ink (inscribed at lower right margin, in pencil: 6-V)
RP-P-2017-2011-32: with plate tone (inscribed at lower right margin, in pencil: 16 stop)
comments: location, Montfroc, France. A preparatory study in Sketchbook (III) 1976-99 (CU, inv. 2000-T.33, 1976: end: Le jardin de Christiane III du soleil).

Frans Pannekoek
Le jardin de Christiane III
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.31

Frans Pannekoek
Le jardin de Christiane III
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.32

Frans Pannekoek
Le jardin de Christiane III, novenber 1999 gedateerd
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-2011-32

FP 99-19
Le jardin de Christiane IV/Christiane’s Garden IV, December 1999
etching and drypoint, 55 × 109 mm, lettered in the plate, at upper left: Jardin de Christiane IV; and at lower left: XII FP 99
impressions:
Ist state:
CU, inv. 2001-P.33: with light plate tone (inscribed at lower margin, in pencil: I; verso: mv (…) I (circled))
IInd state: reworked with drypoint, lettering at lower left illegible
CU, inv. 2001-P.34: with light plate tone (inscribed at lower right margin, in pencil: 3-2)
comments: preparatory study in Sketchbook (III) 1976-99 (CU, inv. 2000-T.33, 1976: end: Le jardin de Christiane IV- 26 nov.1999 La Blanche Planche II dans l’acide).

Frans Pannekoek
Le jardin de Christiane IV
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.33

Frans Pannekoek
Le jardin de Christiane IV
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.34

FP 99-20
Le jardin de Christiane V/Christiane’s Garden V, December 1999
etching and drypoint, 124 × 159 mm, lettered in the plate, at upper left: Le Jardin de Christiane V; at bottom centre: FP XII 99
impressions:
Ist state:
CU, inv. 2001-P.36: with plate tone (inscribed at lower right margin, in pencil: 8-5, 11 XII 99)
IInd state:
CU, inv. 2001-P.35: with plate tone (inscribed at lower right margin, in pencil: 11-5)
exhibitions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 64
comments: preparatory study in Sketchbook (III) 1976-99 (CU, inv. 2000-T.33, 1976: end: Le jardin de Christiane V 1 dec.1999 froid).

Frans Pannekoek
Le jardin de Christiane V
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.36

Frans Pannekoek
Le jardin de Christiane V
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.35

FP 99-21
Self-Portrait as a Ghetto Boy, December 1999
drypoint, 99 × 95 mm, lettered in the plate, at bottom left: ghetto Boy, with Pakol
impressions:
Ist state:
CU, inv. 2001-P.114: with plate tone, reworked with pencil at lower left corner (inscribed at lower margin, in pencil: ghetto boy with PAKOL, and ghetto blaster, I 1 XII 00)
IInd state: lettering added in the plate, at bottom centre: en hiver 1999 XII; and at bottom right: FP
CU, inv. 2001-P.115: with plate tone (inscribed at lower margin, in pencil: 3 31 XII)
IIIrd state: reworked with drypoint (a niche) around portrait, lettering added, at bottom right: I (…) to fuck my Balls
RP-P-2017-2011-33: with light plate tone (inscribed at lower margin, in pencil: Montfroc, 12, 3 XII 99)
CU, inv. 2001-P.116: with light plate tone (inscribed at lower margin, in pencil: 5)

Frans Pannekoek
Ghetto boy
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.114

FP 99-22
Le jardin triste/The Sad Garden, December 1999
etching, 119 × 119 mm, lettered in the plate, at upper centre: fp, jardin VII, hiver 99, Christiane, mort au technocrates, cravates & machines!; and below: Variations sur un thème (mirror writing)
impressions:
Ist state:
CU, inv. 2001-P.23: with plate tone (inscribed at margin, in pencil: proof, 1-24 12 99)
IInd state: lettering added in the plate, after (cravates & machines!): Le Dégel
CU, inv. 2001-P.22: with plate tone (inscribed at left margin, in pencil: paysage désolé jardin de Chr, le jardin du paradis es devenu bien triste; at lower margin: jardin triste, 2-2, 25 XII 99; right margin: (…) mort au technocrates, cravates & machines!)
IIIrd state: details reworked with etching, lettering added in the plate, instead of (Le Dégel!): jardin triste
CU, inv. 2001-P.24: with light plate tone (inscribed at lower right margin, in pencil: jardin triste, 26 XII 3-3)
IVth state: illegible lettering added, after (jardin triste)
CU, inv. 2001-P.25: with light plate tone (inscribed at lower right margin, in pencil: 5-4)
CU, inv. 2001-P.26: with plate tone (inscribed at lower right margin, in pencil: 29 XII, 11-6, to all the old masters before)
CU, inv. 2001-P.27: with plate tone, printed in brown ink (inscribed at lower right margin, in pencil: 8/4)

Frans Pannekoek
Le jardin triste
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2001-P.23

2000

FP 00-1
Staartveer van een Korhaan/Tail Feather of a Black Grouse, 2000
drypoint, 55 × 109 mm, lettered in the plate, at bottom left: F PANNEKOEK & SON; and at bottom right: MM
impressions:
IInd state:
CU, inv. 2002-P.4: with light plate tone (inscribed at lower margin, in pencil: 3-(2))
Vth state: reworked with drypoint
CU, inv. 2002-P.2: with plate tone (inscribed at lower margin, in pencil: M. Custodia, + 2 feuilles, à moi pannekoek mio! 8 (5))
CU, inv. 2002-P.3: with plate tone (inscribed at lower margin, in pencil: 13 (5), Custodia, M4(1))
Xth state:
RP-P-2017-1120-34: with plate tone (inscribed at lower margin, in pencil: f pannekoek 2001; and at upper right margin: achterhouden 21 (10) 1-1-2001)
exhibitions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 43 (CU, inv. 2002-P.2)

Frans Pannekoek
Staartveer van een korhaan
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2002-P.4

2001

FP 01-1
Icaro/Bat, January 2001
drypoint, 99 × 143 mm, lettered in the plate, at upper centre: ICARO 2001 (mirror writing); and at bottom left: F PANNEKOEK & SON
impressions:
RP-P-2017-1120-35: with light plate tone (inscribed at lower margin, in pencil: 17(6))
CU, inv. 2002-P.5: with light plate tone, printed in brown ink (inscribed at right margin, in pencil: 26 (7), 12-1-2001)
CU, inv. 2002-P.6: with plate tone (inscribed at lower right margin, in pencil: 6 (4))
CU, inv. 2002-P.7: with plate tone, printed in brown ink (inscribed at lower right margin, in pencil: 31 (8))
CU, inv. 2002-P.8: with plate tone (inscribed at lower right margin, in pencil: (7) 22)

Frans Pannekoek
Icaro, 2001 gedateerd
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-35

FP 01-2
Sentier des furtifs/Back Road, January 2001
etching, 143 × 110 mm, lettered in the plate, at upper right: sentier des furtifs, (…) des Maquise; and at bottom left: I FP 2001
impressions:
CU, inv. 2002-P.11: with light plate tone, printed in brown ink (inscribed at lower left margin, in pencil: 1 (1) 23 1 2001)
RP-P-2017-1120-36: (inscribed at lower right margin, in pencil: 24-1 4(2))
CU, inv. 2002-P.10: with plate tone (inscribed at lower right margin, in pencil: 15-26-1 2001)
CU, inv. 2002-P.9: with plate tone (inscribed at lower right margin, in pencil: 24. -28-1 2001)
comments: location, near Sisteron; back road used by the Resistance during the war, border Provence/Alpes.

Frans Pannekoek
Sentier des furtifs
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2002-P.11

Frans Pannekoek
Sentier des furtifs
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-36

Frans Pannekoek
Sentier des furtifs
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2002-P.10

Frans Pannekoek
Sentier des furtifs
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2002-P.9

FP 01-3
Motje/Moth, February 2001
drypoint, 91 × 94 mm, lettered in the plate, at upper centre: MOTTIG & PRECISION; at bottom left: FP, SON, II, 2001
impressions:
RP-P-2017-1120-37: with plate tone (inscribed at lower right margin, in pencil: 1 1 dinsdag 13. fevrier 2002)
CU, inv. 2002-P.12: with plate tone (inscribed at lower right margin, in pencil: 4. (2e) 14 II 2001)
CU, inv. 2002-P.13: with plate tone, printed in brown ink (inscribed at lower right margin, in pencil: 23.4, 16. II 2001)

Frans Pannekoek
Motje
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-37

Frans Pannekoek
Motje
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2002-P.12

Frans Pannekoek
Motje
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2002-P.13

FP 01-4
Distel/Thistle, February 2001
drypoint, 108 × 132 mm, lettered in the plate, at lower right: F PANNEKOEK & SON
impressions:
Ist state:
CU, inv. 2002-P.14: with plate tone (inscribed at lower right margin, in pencil: I I 1 fevr. 2001 trop sec)
IInd state: lettering at the lower right extended: (added to F PANNEKOEK & SON): trouvé dans la nature, encore, sans manipule, I 2001
CU, inv. 2002-P.15: with plate tone (inscribed at lower right margin, in pencil: 1/8 pression plus 2 feuilles, toujours pas ca, II, I)
CU, 2002-P.16: with plate tone (inscribed at lower right margin, in pencil: 3-2 2001, 10)
comments: the lettering in the plate is reminiscent of the font used for inscriptions on guns.

Frans Pannekoek
Distel
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2002-P.14

Frans Pannekoek
Distel
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2002-P.15

Frans Pannekoek
Distel
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2002-P.16