RKD STUDIES

1991

FP 91-1
Boom zonder bladeren bij een omheining in de sneeuw/Leafless Tree by a Fence in the Snow, 1991
drypoint, 68 × 98 mm, lettered in the plate, at lower left corner: FP 91
edition: 15
impressions:
CU, inv.1994-P.241: with plate tone in upper part (inscribed at lower margin, in pencil: 2. 1 preuve 20 11 91)
CD, gift 1992: with plate tone in upper half (inscribed below the plate: voor Charles en Niovy Utrecht 13 sept. 1992 frans p. 4/15; and at lower margin, in pencil: 4)
CU, inv.1994-P.242: with plate tone in upper part (inscribed at lower margin, in pencil: 10)
CU, inv.1994-P.243: with plate tone in upper part (inscribed at lower margin, in pencil: 11)
comments: location, Montjay, France.

Frans Pannekoek
Boom zonder bladeren bij een omheining in de sneeuw
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.241

Frans Pannekoek
Boom zonder bladeren bij een omheining in de sneeuw
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.242

Frans Pannekoek
Boom zonder bladeren bij een omheining in de sneeuw
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.243

FP 91-2
Weg, Buech/Road, Buech, 1991
drypoint, 74 × 127 mm
edition: 25
impressions:
Ist state:
CU, inv. 1994-P.246: with light plate tone (inscribed at lower margin, in pencil: epreuve I, 26 11 1991 I etat)
IInd state: vegetation reworked with drypoint
CU, inv. 1994-P.247: with light plate tone (inscribed at lower margin, in pencil: epreuve 2 27 11)
IIIrd state: lettering added in the plate, at centre: BUECH
SW (2385d, coll. RW): with light plate tone (inscribed at lower margin, in pencil: pannekoek 12/25; and at margin: 12)
CU, inv. 1994-P.248: with light plate tone, printed in brown ink (inscribed at margin, in pencil: 15)

Frans Pannekoek
Weg, Buech
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.246

Frans Pannekoek
Weg, Buech
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.247

Frans Pannekoek
Weg, Buech
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.248

FP 91-3
De gespannen netten (groot)/Set Fishing Nets (Large), 1991
drypoint, 128 × 151 mm, lettered in the plate, at upper centre: KERNELEHEN II HAPPY DAYS II; at lower left corner: F.P. 91
edition: 25
impressions:
Ist state:
CU, inv. 1994-P.244: with light plate tone (inscribed at lower margin, in pencil: 6, 16 III 91)
IInd state: sea left of fishing nets reworked
CU, inv. 1994-P.245: with light plate tone (inscribed at lower margin, in pencil: prochain état encre noir, 16)
SW (2385i, coll. RW): with light plate tone (inscribed at lower margin, in pencil: pannekoek 20 mars 1991 mieux 20/25; and at margin: 20)
comments: holiday in Brittany near Morlaix, low tide.

Frans Pannekoek
De gespannen netten (groot)
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.244

Frans Pannekoek
De gespannen netten (groot)
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.245

FP 91-4
De gespannen netten (klein)/Set Fishing Nets (Small), 1991
drypoint, 95 × 128 mm, lettered in the plate, at upper centre: KERNELEHEN
impressions:
Ist state:
CU, inv. 1994-P.250: with light plate tone (inscribed at lower margin, in pencil: 4)
IInd state: lettering at upper left extended, before (KERNELEHEN): FAN; and after: happy days 85
CU, inv. 1994-P.249: with light plate tone (inscribed at lower margin, in pencil: 7)

Frans Pannekoek
De gespannen netten (klein)
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.250

Frans Pannekoek
De gespannen netten (klein)
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.249

1994

FP 94-1
Voor Yannick: fuiken bij Makkum/For Yannick, Fyke Nets near Makkum, December 1994
drypoint, 116 × 155 mm, lettered in the plate, at upper centre: (…) keep your breath in FP 10th of December 1994, pour Yannick
edition: 25
impressions:
Ist state:
CU, inv. 1995-P.66: with light plate tone (inscribed below the plate, in pencil: f pannekoek 9 25; and at lower margin: 9-5, je n'arrive pas, a ce que je veux)
CU, inv. 1995-P. 64: with light plate tone (inscribed below the plate, in pencil: f pannekoek 12/25; and at lower margin: 12)
CU, inv. 1995-P. 65: with plate tone (inscribed below the plate, in pencil: f pannekoek, 4/25; and at lower margin: 2me II X11 2)
IInd state: lettering at upper centre extended: MAKKUM VAN DYK (…)
CU, inv. 1995-P. 63: with plate tone (inscribed below the plate, in pencil: f pannekoek 22/25; and at lower margin: 22)
CU, inv. 1995-P. 67: with little plate tone (inscribed below the plate, in pencil: makkum 94 pannekoek, 24/25; and at lower margin: 20-12-1994, 24, never sharp!)

Frans Pannekoek
Voor Yannick, fuiken bij Makkum
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.66

FP 94-2
Labyrint van fuiken/Labyrinth of Fyke Nets, November 1994
drypoint, 123 × 200 mm, lettered in the plate, at upper left corner: LABIRINTHF W; at bottom left: PANNEKOEK 94
edition: 25
impressions:
CU, inv. 1995-P.48: with light plate tone (inscribed below the plate, in pencil: f pannekoek, 4/25; and at lower margin: 4)
CU, inv. 1995-P.46: with plate tone (inscribed below the plate, in pencil: f pannekoek, 6/25; and at lower margin: 6)
CU, inv. 1995-P.47: with plate tone (inscribed below the plate, in pencil: f pannekoek, 7/25; and at lower margin: 7)
RP-P-2017-1120-17: with light plate tone (inscribed below the plate, in pencil: 10)
BM, P & D, inv. 2015.7089.3 (donated by JPFK): with light plate tone (inscribed below the plate, in pencil: f pannekoek; and at left margin: proof 2, 3 november 94)
literature: Filedt Kok 2010, p. 150

Frans Pannekoek
Labyrint van fuiken
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.48

Frans Pannekoek
Labyrint van fuiken
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.46

Frans Pannekoek
Labyrint van fuiken
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.47

Frans Pannekoek
Labyrint van fuiken, november 1994
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-17

FP 94-3
Granville, September 1994
drypoint, 70 × 134 mm, lettered in the plate, below upper plate mark, partially in mirror writing: lets (…) through a (…), Granville 91; and at lower left corner: FP 94 IX
impressions:
CU, inv. 1995-P.31: with plate tone (inscribed below the plate, in pencil: granville f pannekoek, 6)
comments: location, Granville, France.

Frans Pannekoek
Granville
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.31

FP 94-4
Mimizan (de bloemenstad)/Mimizan (City of Flowers), October 1994
drypoint, 133 × 188 mm
edition: 25
impressions:
Ist state:
CU, inv. 1995-P.44: with plate tone (inscribed below the plate, in pencil: f pannekoek, Mimizan ville fleuri, texte pour des cons, 4/25; and at lower margin: 4 22x)
IInd state: lettering added in the plate, at upper centre: MIMISAN VILLE FLEURI, texte pour des cons(?); at lower right corner, in mirror writing: PANNEKOEK 94
CU, inv. 1995-P.43: with plate tone (inscribed below the plate, in pencil: f pannekoek, 5; and at lower margin: 5- 1/8)
IIIrd state: lettering added along right plate mark: hommage à mon oncle Storm v S' graveur
CU, inv. 1995-P.42: with little plate tone (inscribed below the plate, in pencil: f pannekoek, 10/25; and at lower margin: 10)
CU, inv. 1995-P.45: with little plate tone (inscribed below the plate, in pencil: f pannekoek 15/25; and at lower margin: 15)
comments: there is a cardboard factory in the distance. Mouth of the river Mimizan, home of Emmanuelle Fourat, whom he had met in St. André des Alpes.

Frans Pannekoek
Mimizan, de bloemenstad
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.44

FP 94-5
Vissersboot bij de Mimizan/Fishing Boat near the Mimizan, October 1994
drypoint, 128 × 164 mm, lettered in the plate, below upper plate mark: I, MISON, 6 X 94 (mirror writing); and below: FP
edition: 25
impressions:
Ist state:
CU, inv. 1995-P. 53: with little plate tone (inscribed below the plate, in pencil: f pannekoek, 6/25; and at lower margin: 6)
CU, inv. 1995-P. 52: with little plate tone (inscribed below the plate, in pencil: f pannekoek, 8/25; and at lower margin: 9)
IInd state: sea reworked with drypoint
CU, inv. 1995-P. 51: with little plate tone (inscribed below the plate, in pencil: f pannekoek, 19/25; and at lower margin: 2nd state, 10)

Frans Pannekoek
Vissersboot bij de Mimizan
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.53

Frans Pannekoek
Vissersboot bij de Mimizan
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.52

Frans Pannekoek
Vissersboot bij de Mimizan
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.51

FP 94-6
Le courant/The Current, October 1994
drypoint, 95 × 128 mm, lettered in the plate, at upper left corner: II; at upper centre: M.ZAN 7 X 49 (mirror writing) MISON
impressions:
Ist state:
CU, inv. 1995-P.29: with plate tone (inscribed below the plate, in pencil: le courant, 5/15; and at lower margin: 5 dwars gedrukt)
IInd state: reworked with drypoint
CU, inv. 1995-P. 30: with light plate tone (inscribed below the plate, in pencil: le courant, f pannekoek, 9/15; and at lower margin: 9)

Frans Pannekoek
Le courant
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.29

Frans Pannekoek
Le courant
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.30

FP 94-7
Laagwater in Bretagne I/Low Tide in Brittany I, 1994
drypoint, 134 × 172 mm
edition: 25
impressions:
Ist state:
CU, inv. 1995-P. 55: with light plate tone (inscribed below the plate, in pencil: f pannekoek, 1/25; and at lower margin: No 1 (…) 16 oct 94, les (…) proof 1)
IInd state: lettering added in the plate, at upper centre: BREIZ III WATER LAND; and at lower left corner: PANNEKOEK
CU, inv. 1995-P.57: with plate tone (inscribed below the plate, in pencil: Breiz III f pannekoek 94, 11/25; and at lower margin: no. 11 (…) 19? 1994, a mission)
CU, inv. 1995-P.56: with little plate tone (inscribed below the plate, in pencil: f pannekoek, 17/25; and at lower margin: 17)
IIIrd state: reworked with drypoint at centre of plate; lettering at lower left corner erased or not inked
CU, inv. 1995-P.54: with light plate tone (inscribed below the plate, in pencil: f pannekoek, 18/25; and at lower margin: proof 3, 18 (…))

Frans Pannekoek
Laagwater in Bretagne I
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.55

Frans Pannekoek
Laagwater in Bretagne I
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.57

Frans Pannekoek
Laagwater in Bretagne I
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.56

Frans Pannekoek
Laagwater in Bretagne I
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.54

FP 94-7A
Laagwater in Bretagne II/Low Tide in Brittany II, 1994
drypoint, 123 × 162 mm, lettered in the plate, at upper centre: VI; at bottom centre: f pannekoek; and at lower right corner: X 94
edition: 25
impressions:
CU, inv. 1995-P. 60: with light plate tone (inscribed below the plate, in pencil: f pannekoek, 4/25; and at margin: proprieté fp 4 (…) proof)
CU, inv. 1995-P. 58: with plate tone (inscribed below the plate, in pencil: f pannekoek 5/25; and at margin: 5)
CU, inv. 1995-P. 59: with plate tone (inscribed below the plate, in pencil: f pannekoek, 9/25; and at lower margin: 9, 31 X 94)
CD, gift 1995: with plate tone in lower half (inscribed below the plate: voor Charles en Niovy van frans Nov. 95. 13/25; and at lower margin, in pencil: 13)
CU, inv. 1995-P. 61: with plate tone (inscribed below the plate, in pencil: f pannekoek, 14/25; and at lower margin: 14 2 XI)
CU, inv. 1995-P. 62: with plate tone (inscribed below the plate, in pencil: (…) pannekoek, Oct. 94, 16/25; and at margin: 16)

Frans Pannekoek
Laagwater in Bretagne II
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.60

Frans Pannekoek
Laagwater in Bretagne II
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.58

Frans Pannekoek
Laagwater in Bretagne II
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.59

Frans Pannekoek
Laagwater in Bretagne II
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.61

Frans Pannekoek
Laagwater in Bretagne II
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.62

FP 94-8
Wijngaard bij Celles les Condé/Vineyard near Celles les Condé, December 1994
etching, 128 × 169 mm, lettered in the plate, at upper centre: 5XII 94 (…) Celles les Condé
impressions:
Ist state:
CU, inv. 1995-P.32: with little plate tone (inscribed below the plate, in pencil: f pannekoek, 1/25; and at lower margin: (…) cet acide, état I, Proof I ! 7th of December (…)
IInd state: reworked with drypoint, lettering at upper centre, before (XII 94 Champagne Celles les Conde) extended with: RE 5; and after: 12 XI 88
CU, inv. 1995-P.33: with plate tone (inscribed below the plate, in pencil: f pannekoek, 2/25; and at lower margin: 2 of 8 december, so exciting)
BM, P & D, inv. 2013.7004.6 (donated by PS): with little plate tone (inscribed below the plate, in pencil: Celles les Condé Frans Pannekoek 3/16; and at margin: Aan P. Schatborn, Geluk diendt de mens, fog, burning of the vinegard 2nd state/ 8.XII.3)
RP-P-2017-1120-18: with plate tone (inscribed below the plate, in pencil: Celles frans pannekoek 6/6; and at margin: aan Meester Peter Schatborn)
IIIrd state: lettering added in the plate, at lower left corner: F.P. 94
CU, inv. 1995-P.34: with plate tone (inscribed below the plate, in pencil: f pannekoek, 4/25; and at margin: 4 lendemain 9 XII)
CU, inv. 1995-P.35: with plate tone (inscribed below the plate, in pencil: f pannekoek, 5/25; and at margin, in pencil: (…) la mystique et la surprise! (…) 5)
exhibitions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 54 (CU, inv. 1995-P.35)
comments: location, Celles les Condé, France.

Frans Pannekoek
Wijngaard bij Celles les Condé
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.32

Frans Pannekoek
Wijngaard bij Celles les Condé
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.33

Frans Pannekoek
Wijngaard bij Celles les Condé
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.34

Frans Pannekoek
Wijngaard bij Celles les Condé, december 1994
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-18

Frans Pannekoek
Wijngaard bij Celles les Condé
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.35

FP 94-9
WAD, Noordpolderzijl/Mudflat near Noordpolderzijl, 1994
drypoint, 128 × 151 mm, lettered in the plate, at upper centre: WAD; and at lower left corner: FP 94
impressions:
Ist state:
CU, inv. 1995-P.49: with light plate tone (inscribed below the plate, in pencil: f pannekoek)
IInd state: lettering added in the plate, at upper left: water is t leven voor Yannick (inverted); at upper right: een rimpel (…) in t (inverted)
CU, inv. 1995-P.50: with light plate tone (inscribed below the plate, in pencil: pannekoek; and at margin: 7)
CU, inv. 2017-P.31: with plate tone (inscribed below the plate, in pencil: f pannekoek; and at margin: 15 X, 9)
comments: location, close to Warffum, where Pannekoek’s sister lived, possibly dating from October 1994, see inscription CU, inv. 2017-P.31.

Frans Pannekoek
WAD, Noordpolderzijl
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.49

Frans Pannekoek
WAD, Noordpolderzijl
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.50

Frans Pannekoek
WAD, Noordpolderzijl
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2017-P.31

1995

FP 95-1
Weg naar Dieppe, Sneeuwlandschap met gestrand autowrak/Road to Dieppe, Snowy Landscape with Car Wreck, January 1995
drypoint, 104 × 176 mm, lettered in the plate, at upper right corner: (…) to Dieppe (…); at bottom left: ROAD TO DIEPPE 26 II (…)
edition: 25
impressions:
Ist state:
CU, inv. 1995-P.38: with plate tone (inscribed below the plate, in pencil: I f pannekoek, 1/25; and at lower margin: first in this new year! I 4 1 95)
IInd state: vegetation added
CU, inv. 1995-P.39: with little plate tone (inscribed below the plate, in pencil: f pannekoek, 3/25; and at margin: SECOND STATE, 2-5 I 95)
IIIrd state: lettering added in the plate, at bottom right: 1995; and at bottom left extended: f pannekoek
RP-P-2017-1120-19: with light plate tone (inscribed at lower margin, in pencil: next state 10-8-1)
CU, inv. 1995-P.40: with little plate tone, printed in brown ink (inscribed below the plate, in pencil: 91, f pannekoek, 13/25; and at lower margin: 13 9 1)
CU, inv. 1995-P.41: with little plate tone (inscribed below the plate, in pencil: f pannekoek, 9/25; and at margin: 9 - 8 1 95)
IVth state: car added in foreground
CU, inv. 1995-P.37: with little plate tone (inscribed below the plate, in pencil: f pannekoek, 17/25; and at lower margin: 17)
Vth state: reworked around car
CU, inv. 1995-P.36: with little plate tone (inscribed below the plate, in pencil: f pannekoek, 95, 19/25; and at margin: 25 14 I)
exhibitions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 63 (CU, inv. 1995-P. 37)
comments: Pannekoek came across this 'Bruegelesque' village in Normandy when it had started to snow. The addition of the car (in the 4th state) is an allusions to Monet's 'Train dans la neige'. The artist made a painting of the same image, now in the collection of the heirs of H. Schook.

Frans Pannekoek
Weg naar Dieppe, Sneeuwlandschap met gestrand autowrak
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.38

FP 95-2
Fondamento Nanni (Venetië)/Fondamento Nanni, Venice, 1995
etching, 175 × 113 mm, lettered in the plate, at upper centre: NANNI
edition: 23
impressions:
Ist state:
CU, inv. 1995-P.28: with little plate tone (inscribed below the plate, in pencil: f pannekoek, fond Nani, 95, 2/23; and in margin, in pencil: 2)
IInd state: lettering added in the plate, at lower left corner: f pannekoek 95
CU, inv. 1995-P.27: with light plate tone (inscribed below the plate, in pencil: f pannekoek, Nanni, 5/23; and at margin: 5, 22 1)
CU, inv. 1995-P.26: with plate tone, printed in brown ink (inscribed below the plate, in pencil: f pannekoek, fondamento Nanni; and at margin: 26 1, 13)
CU, inv. 1995-P.25: with plate tone, printed in brown ink (inscribed below the plate, in pencil: pannekoek, 14/23; and at margin: autre incre, 14, 30 1, 95)
comments: also depicted in a painting; the artist visited Venice around Christmas 2014 with his friend Emmanuelle Fourat.

Frans Pannekoek
Fondamento Nanni, Venetië
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1995-P.28

1997

FP 97-1
Een nest met een ei/A Nest with an Egg, February 1997
etching, 109 × 119 mm, lettered in the plate, at upper centre: no. 21, oeuf erratique de mon désir dans un nid de poils pudiques, tout es traces dans la perfection, comment passer le message à toi dans le temps? 27 II pour la princesse des grillots que je veux fertiliser; at lower left corner: FP
edition: 25
impressions:
Ist state:
CU, inv. 1999-P.24: with plate tone (inscribed below the plate, in pencil: f pannekoek, 1 25; at lower margin: Comment passer le message à toi dans le temps, epreuve 1 1 mars; at right margin: Oeuf erratique de mon désir, dans un nid de poils pudiques; at left margin: pour la princesse des grillots, que je veux fertiliser)
IInd state: nest reworked with drypoint, lettering at upper centre extended: l'amour du couera l'oeuf de l'autruche; and at lower left corner to the initials: nest
CU, inv. 1999-P.25: with plate tone (inscribed below the plate, in pencil: f pannekoek, 2.2. 25; and at margin: 2, 2me état)
IIIrd state: nest reworked
CU, inv. 1999-P.26: with plate tone (inscribed below the plate, in pencil: f pannekoek 5/25; and at margin: 5)
CU, inv. 1999-P.27: with plate tone (inscribed below the plate, in pencil: f pannekoek, 8/25; and at margin: bombe à retardement, 8)
CU, inv. 1999-P.28: with plate tone (inscribed below the plate, in pencil: 10/25, f pannekoek; and at margin: 10)

Frans Pannekoek
Een nest met een ei
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.24

FP 97-2
Een roos/A Rose, October 1997
drypoint, 115 × 78 mm, lettered in the plate, at upper centre: Donde la miel? Amor, Viva Rosa; and at bottom centre: frans pan
edition: 25
impressions:
Ist state:
CU, inv. 1999-P.6: with plate tone (inscribed below the plate, in pencil: f pannekoek epr. (…) 1; and at margin: epreuve 1, 28 X 97)
IInd state: rose reworked with drypoint, lettering at upper centre extended: La + belle + Toi Sandrine; and at bottom centre: frans pan
CU, inv. 1999-P.7: with plate tone (inscribed below the plate, in pencil: f pannekoek 9/25; and at margin: 9)
IIIrd state: leaves reworked; lettering added in the plate left: et sort ouverte
CU, inv. 1999-P.8: with plate tone (inscribed below the plate, in pencil: f pannekoek, 12/25; and at margin: 12)
CU, inv. 1999-P.9: with plate tone (inscribed below the plate, in pencil: f pannekoek, 15/25; and at margin: 15)
CU, inv. 1999-P.79(2): with plate tone (inscribed below the plate, in pencil: la plus belle, 21/25; at lower margin, in pencil: 21; and at bottom right corner of the right-hand side of the sheet: tes sourires me manquent, tes baisers me manquent, tu me manques)

Frans Pannekoek
Een roos
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.6

FP 97-3
Rose filant/A Withered Rose, 1997
drypoint, 107 × 148 mm, lettered in the plate, at upper centre: Rose filant; followed by inverted lettering: Il neige 6 11 ancien; and at lower left corner: FP (encircled)
edition: 25
impressions:
CU, inv. 1999-P.10: with plate tone (inscribed at upper margin, in pencil: frans pannekoek 8/25 1997; and at lower margin: 8)
RP-P-2017-1120-20: with plate tone (inscribed below the plate, in pencil: f pannekoekand at margin: M, Lugt 9)
CU, inv. 1999-P.11: with plate tone, printed in brown ink (inscribed at left margin, in pencil: frans pannekoek 12/25; and at lower margin: L, 12)
CU, inv. 1999-P.12: with plate tone (inscribed at upper margin, in pencil: 13/25 pannekoek; and at lower margin: Custodia, 13)
CU, inv. 1999-P.13: with plate tone (inscribed at left margin, in pencil: f pannekoek 19/25 1997; and at margin: 19)
CU, inv. 1999-P.14: with plate tone (inscribed at left margin, in pencil: f pannekoek 20/25 1997; and at right margin: 20)
exhibitions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 46 (as 1999, CU, inv. 1999-P.10)
comments: the artist considers this image to be one of the most successful in depicting the transparency of the leaves and of beauty in general, as it was just a ‘throw away finished rose.’

Frans Pannekoek
Rose filant
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.10

Frans Pannekoek
Rose filant, 1997
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-20

FP 97-4
Feuilles de l'agonie/Leaves of Agonie, November 1997
drypoint, 79 × 90 mm, lettered in the plate, at upper centre: II Feuilles de l'agonie; and at bottom right: (…) sans rancunes
edition: 12, later 25
impressions:
CU, inv. 1999-P.21: with plate tone (inscribed below the plate, in pencil: f pannekoek 1/12; and at margin: preuve 1, 1 10 XI 97)
CU, inv. 1999-P.22: with plate tone (inscribed below the plate, in pencil: f pannekoek 3/12; and at margin: 3)
CU, inv. 1999-P.23: with plate tone (inscribed below the plate, in pencil: f pannekoek 6/12; and at margin: 6)
CU, inv. 1999-P.79(4): Album “Les épines de l'amour”, page 4, with plate tone (inscribed below the plate, in pencil: feuilles de l'agonie, 10/25; at lower margin: 10; at bottom right corner of right-hand side of the sheet, in black ink: mon bonheur est loin de moi emporté dans ton sac à dos et enterré dans la montagne, tu as la clef)
comments: Eglantine leaves

Frans Pannekoek
Feuilles de lagonie
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.21

Frans Pannekoek
Feuilles de lagonie
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.22

Frans Pannekoek
Feuilles de lagonie
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.23

Frans Pannekoek
Feuilles de lagonie
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.79(4)

FP 97-5
Tournesol/Sunflower, November 1997
drypoint, 98 × 98 mm, lettered in the plate, at bottom centre: toi étoile filante, Toumesol en Hiver, pour toi, les jours, les nuits; and at lower left corner: FP 97)
edition: 25
impressions:
RP-P-2017-1120-21: with plate tone (inscribed at margin right, in pencil: 16 25 XII 97)
CU, inv. 1999-P.29: with plate tone (inscribed below the plate, in pencil: f pannekoek 2/25; and at margin: 2)
CU, inv. 1999-P.30: with plate tone (inscribed below the plate, in pencil: f pannekoek 3/25; and at margin: 3)
CU, inv. 1999-P.31: with plate tone (inscribed below the plate, in pencil: f pannekoek 5/25; and at margin: 5)
CU, inv. 1999-P.32: with plate tone (inscribed below the plate, in pencil: f pannekoek 7/25; and at margin: 7)
CU, inv. 1999-P.33: with plate tone (inscribed below the plate, in pencil: f pannekoek 9/25; and at margin: L 9)
CU, inv.1999-P.34: with plate tone (inscribed below the plate, in pencil: f pannekoek 13/25; and at margin: 13 1 (…) + 1 1/4)

Frans Pannekoek
Tournesol, 1997 gedateerd
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-21

Frans Pannekoek
Tournesol
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.29

Frans Pannekoek
Tournesol
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.30

FP 97-6
Un chardon/Thistle, October/November 1997
drypoint, 69 × 99 mm, lettered in the plate, along upper plate mark: (…) VITAE (…) ça retombe; and at lower left corner: 23, FP, X, 97
edition: 25
impressions:
Ist state:
CU, inv. 1999-P.35: with plate tone (inscribed below the plate, in pencil: f pannekoek 1997 3/25; and at margin: No3, + 1/2)
IInd state: lettering along upper plate mark extended: sur toi
CU, inv. 1999-P.36: with plate tone (inscribed below the plate, in pencil: f pannekoek, 9 preuve 3/25; and at margin: proef 3-2-1 1/2-1/4)
IIIrd state: lettering along upper plate mark extended: instead of sur toi: A TOI
CU, inv. 1999-P.37: with light plate tone (inscribed below the plate, in pencil: f pannekoek, 5/25; and at margin: 5)
CU, inv. 1999-P.38: with light plate tone (inscribed below the plate, in pencil: f pannekoek, 6/25; and at margin: 6, 6 XI 97)
CU, inv. 1999-P.79(1): Album "Les épines de l'amour", page 1: with plate tone (inscribed below the plate, in pencil: chardon, 10/25; verso: inscribed in black ink, at bottom right: toujours contraire et identique, à elle-même, comme une gravure)
exhibitions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 42 (CU, inv. 1999-P.36)

Frans Pannekoek
Distel, Un chardon
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.35

Frans Pannekoek
Distel , Un chardon
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.36

Frans Pannekoek
Distel , Un chardon
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.37

Frans Pannekoek
Distel , Un chardon
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.38

Frans Pannekoek
Un chardon
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.79(1)

FP 97-7
Grand guignol d'automne/Great Puppet Show of Autumn, 1997
drypoint, 77 × 77 mm, lettered in the plate, at upper centre: grand guignol d'automne 1997, une, conte de fées
edition: 25
impressions:
Ist state:
CU, inv. 1999-P.39: with plate tone (inscribed below the plate, in pencil: f pannekoek, 2 epreuve 25; and at margin: 2. epreuve 1 etat)
IInd state: lettering at upper centre extended: … Rose fanée
CU, inv. 1999-P.40: with plate tone (inscribed below the plate, in pencil: f pannekoek 4/25; and at margin: 4)
CU, inv. 1999-P.41: with plate tone (inscribed below the plate, in pencil: f pannekoek, 7/25; and at margin 7, 4me)
IIIrd state: flower and leaf reworked with drypoint
CU, inv. 1999-P.42: with plate tone (inscribed below the plate, in pencil: f pannekoek, 13/25; and at margin: 3 II etat trop mouillé IP)
CU, inv. 1999-P.79(6): Album "Les épines de l'amour", page 6, with plate tone (inscribed below the plate, in pencil: grand guignol d'automne, 24/25; and in black ink, at left-hand side of the sheet: pour l'hiver: tu te cases, je me casse, (les mêmes cinq lettres))
comments: Pannekoek (oral comment, December 2017): like a face with two eyes: the ‘Guignol’ who dated Sandrine.

Frans Pannekoek
Grand guignol d'automne
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.39

Frans Pannekoek
Grand guignol d'automne
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.40

Frans Pannekoek
Grand guignol d'automne
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.41

Frans Pannekoek
Grand guignol d'automne
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.42

Frans Pannekoek
Grand guignol d'automne
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.79(6)

FP 97-8
Liggende hond, Reis naar de Eeuwigheid/Recumbent Dog, Journey to Eternity, November 1997
drypoint, 78 × 78 mm; lettered in the plate, at lower left corner: (…) DIJAN VII 96 FP XI 97 MONTFROC; and illegible mirror writing below
edition: 12
impressions:
CU, inv. 1999-P.53: with plate tone (inscribed below the plate, in pencil: f pannekoek 2/12; and at margin: 2)
CU, inv. 1999-P.54: with plate tone (inscribed below the plate, in pencil: f pannekoek 8/12; and at lower margin: 8 I XII 97)
CU, inv. 1999-P.55: with plate tone (inscribed below the plate, in pencil: pannekoek 15/12; and at margin: lugt, 15)
exhibitions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 14 (CU, inv. 1999-P.53)
comments: this is a posthumous portrait of Djian, the dog of Jean Marc, a friend and fellow hang-glider pilot.

Frans Pannekoek
Liggende hond, reis naar de eeuwigheid, Liggende hond, reis naar de eeuwigheid
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.53, inv./cat.nr. 1999-P.53

Frans Pannekoek
Liggende hond, reis naar de eeuwigheid
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.54

Frans Pannekoek
Liggende hond, reis naar de eeuwigheid
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.55

FP 97-9
Libelle en wilde climatis met zaadpluizen/Dragonfly and Wild Clematis with Seed Heads, December 1997
etching and drypoint, 126 × 108 mm, lettered in the plate, at upper left corner: IIX COSAS de (…) plante, homme en (…) FP; and along left plate mark: pour princesse
edition: 25
impressions:
Ist state:
CU, inv. 1999-P.56: with plate tone (inscribed below the plate, in pencil: f pannekoek 1/25; and at margin: 1-4 XII 97)
IInd state: seed heads reworked with drypoint, lettering at upper left corner extended: Sandrine, en (…) pour (…) FP; and along left plate mark extended with illegible lettering
CU, inv. 1999-P.57: with plate tone (inscribed below the plate, in pencil: 2/25 f pannekoek; and at margin: phranqnopholic, phranqnophobie, plantes bêtes homme, cosas de poca importancia, 2)
CU, inv. 1999-P.58: with plate tone (inscribed below the plate, in pencil: f pannekoek 4/25; and at margin: 4 7 12 97)
CU, inv. 1999-P.59: with plate tone (inscribed below the plate, in pencil: f pannekoek 5/25; and at margin: l'espoir 5)
CU, inv. 1999-P.60: with plate tone (inscribed below the plate, in pencil: 7/25 f pannekoek; and at margin: 1-7 > 7 mieux épreuves)
RP-P-2017-1120-22: with plate tone (inscribed at margin, in pencil: 8 bon)
exhibtions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 47 (CU, inv. 1999-P.56)
comments: this is one of the few examples in which an insect and a plant are combined.

Frans Pannekoek
Libelle en wilde clematis met zaadpluizen
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.56

Frans Pannekoek
Libelle en wilde clematis met zaadpluizen
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.57

Frans Pannekoek
Libelle en wilde clematis met zaadpluizen
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.58

Frans Pannekoek
Libelle en wilde clematis met zaadpluizen
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.59

Frans Pannekoek
Libelle en wilde clematis met zaadpluizen
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.60

Frans Pannekoek
Libelle en wilde clematis met zaadpluizen, december 1997
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-22

FP 97-10
Vleesetende plant/Carnivorous Plant, December 1997
etching, 93 × 109 mm, lettered in the plate, along left plate mark: FP, 97, (…) plus belles, il y en a d'autres; and at bottom centre: PLANTE CARNIVORE
edition: 25
impressions:
RP-P-2017-1120-23: with plate tone (inscribed at margin, in pencil: 9)
CU, inv. 1999-P.72: with plate tone (inscribed below the plate, in pencil: f pannekoek 2/25; and in margin: 2. 13 XII 97)
CU, inv. 1999-P.73: with plate tone, printed in black and brown ink (inscribed below the plate, in pencil: f pannekoek 4/25; and at margin: 4 sep (…) + noir)
CU, inv. 1999-P.74: with plate tone (inscribed below the plate, in pencil: f pannekoek 7/25; and at margin: 7)
CU, inv. 1999-P.75: with plate tone, printed in black, brown and grey ink (inscribed below the plate, in pencil: f pannekoek 8/25; and at margin: 8)
CU, inv. 1999-P.76: with plate tone (inscribed below the plate, in pencil: f pannekoek 10/25; and at margin: 10)
CU, inv.1999-P.77: with plate tone (inscribed below the plate, in pencil: f pannekoek 11/25; and at margin: 11 8)
CU, inv. 1999-P.78: with plate tone, printed in black and brown ink (inscribed below the plate, in pencil: f pannekoek 17/25; and at margin: 17)
exhibitions: Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 48 (CU, inv. 1999-P.78)

Frans Pannekoek
Vleesetende plant, december 1997
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-23

FP 97-11
Twee lampionbollen (Physalis) met judaspenning/Two Chinese Lantern Flowers (Physalis) with Honesty, December 1997
drypoint, 108 × 98 mm, lettered in the plate, at upper left corner: A VOIR LE NERF POUR ALLUMER LE LAMPION
edition: 12
impressions:
Ist state:
CU, inv. 1999-P.15: with plate tone (inscribed below the plate, in pencil: f pannekoek 1/12; and at lower margin: avoir le nerf pour allumer le lampion, 1, mardi 8 or 9 dec.)
IInd state: reworked with leaves in drypoint, lettering added in the plate, at upper centre: l’espoir y(?)
CU, inv. 1999-P.16: with plate tone (inscribed below the plate, in pencil: f pannekoek 6/12; and at lower margin: 6)

Frans Pannekoek
Twee lampionbollen (Physalis) met judaspenning
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.15

Frans Pannekoek
Twee lampionbollen (Physalis) met judaspenning
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.16

FP 97-12
Peau & la feuille de mandarine/Peel and Leaf of a Mandarin, c. 1997
drypoint, 108 × 98 mm, lettered in the plate, at lower left corner: une aile arrachée, peau & la feuille de s/mandarine
edition: 12
impressions:
Ist state:
CU, inv. 1999-P.17: with plate tone (inscribed below the plate, in pencil: f pannekoek, 3/12; and at margin: 3)
CU, inv. 1999-P.18: with little plate tone (inscribed below the plate, in pencil: pannekoek 4/12; and at margin: 4)
IInd state: lettering at lower left corner before (une aile arrachée, peau & la feuille de s/mandarine) extended with: fp, comme
CU, inv. 1999-P.19: with little plate tone (inscribed below the plate, in pencil: f pannekoek 5/12; and at margin: 5)
CU, inv. 1999-P.20: with little plate tone (inscribed below the plate, in pencil: f pannekoek 6/12; and at margin: 6)
comments: the (S) in the lettering at the lower left corner of the plate refers to Sandrine.

Frans Pannekoek
Schil en blad van een manderijn, Peau et la feuille de mandarine
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.17

Frans Pannekoek
Schil en blad van een manderijn, Peau et la feuille de mandarine
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.18

Frans Pannekoek
Schil en blad van een manderijn, Peau et la feuille de mandarine
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.19

Frans Pannekoek
Schil en blad van een manderijn, Peau et la feuille de mandarine
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.20

FP 97-13
Le regard vers le nord (autoportrait)/Looking North (Self-Portrait), December 1997
drypoint, 118 × 108 mm
edition: 12
impressions:
Ist state:
CU, inv. 1999-P.43: with plate tone (inscribed below the plate, in pencil: f pannekoek, 1/12 epr.; and at margin: I 17 12 97)
IInd: reworked and lettering added in the plate, along left plate mark: le regard vers le Nord; and at lower left corner: vers fp XII 1e 79
CU, inv. 1999-P.44: with little plate tone (inscribed below the plate, in pencil: f pannekoek 4/12; and at margin: regard Nord, 4 19 XII)
IIIrd state: lettering added in the plate, at lower left, in mirror writing: savoir tout, paire = saveur, rien faire, fp, ?7 XII
RP-P-2017-1120-24: with heavy plate tone (inscribed at lower margin, in pencil: 7 de oude vuren? tambien un cabello tuyo 19 XII)
CU, inv. 1999-P.45: with heavy plate tone (inscribed below the plate, in pencil: f pannekoek, etat 9 9/12; and at margin: 9 état 9)
IVth state: reworked with vertical lines at upper right; illegible lettering added in the plate, at upper left corner
CU, inv. 1999-P.46: with plate tone (inscribed below the plate, in pencil: f pannekoek 1997, 13/12; and at margin: 13. 21 12)
literature: Schatborn 2011, p. 16, fig. 15 (CU, inv. 1991-P.46)
comments: opaque glasses, because Sandrine, who lived in the north behind the mountains, had moved and the artist could no longer see her.

Frans Pannekoek
Le regard vers le nord, autoportrait
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.43

FP 97-14
Portrait de Sadrine/Portrait of Sandrine, 1997
drypoint, 78 × 68 mm, lettered in the plate, at lower left: voyageuse, je vous, aime; and along upper left plate mark: (…) Sandrine avec BITE D'AMARRAGE
edition: 25
impressions:
CU, inv. 1999-P.79((3): Album “Les épines de l'amour”, page 3: with plate tone (inscribed below the plate, in pencil: toujours heureuse, 7/25; at lower margin: 7; and in black ink, on left-hand side of the sheet: combien de fois, j'ai eu les larmes aux yeux? tu ne me verras pas, pleurer, comme tu voulais, ainsi loin l'un de l'autre)

Frans Pannekoek
Portrait de Sandrine
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.79(3)

FP 97- 15
Chat/Cat, 1997
drypoint, 47 × 48 mm, illegible lettering in the plate, at lower left corner
edition: 25?
impressions:
CU, inv. 1999-P.79(5): Album "Les épines de l'amour", page 5: inscribed at margin, in pencil: zebulon, grizzly, cendre,, lobito, No 21; and at left corner of the left-hand side of the sheet, in black ink: toi, tu ne t'attendais pas à ça, moi, je ne m'y attendais pas... les petites jamais se cassent...)

Frans Pannekoek
Animal
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.79(5)

FP 97- 16
Self-Portrait with the Cat Cendre, 1997
drypoint, 45 × 40 mm, illegible lettering in the plate, at upper centre
edition: 25?
impressions:
CU, inv. 1999-P.79(7): Album "Les épines de l'amour", page 7: with plate tone (numbered below the plate, in pencil: 4; and inscribed at left-hand side of the sheet, in black ink: un cadeau, Quand tu commences à penser, Bambina, et si tu veux encore, grandir, viens me voir, je serai toujours lá, quelque part)
CD, gift: with plate tone (inscribed below the plate: voor Charles en Niovy frans; and at lower margin, in pencil: épreuve 3)

Frans Pannekoek
Zelfportret met de kat Cendre
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.79(7)

FP 97-Album
Les épines de l'amour/The Thorns of Love, 1997
Loose-leaf booklet with seven drypoints and annotations in pen and black ink and pencil, 150 × 215 mm. Annotated (last page): Cet petit livre “Les épines de l’amour’’ est dedié à Sandrine Gabriel tiré en 4 exemplaires sur papier White wove Imperial de ma presse à Montfroc autômne 1997 par frans Pannekoek / coll. F. Lugt No. 4 pour la Fondation Custodia à Paris. For each print see 1999-P.79(1/7)

(1) CU, inv. 1999-P.79(1): Album "Les épines de l'amour", (FP 97-6): Thistle, October/November 1997, drypoint, 69 × 99 mm, with plate tone (inscribed below the plate, in pencil: chardon, 10/25; verso: inscribed in black ink, at bottom right: toujours contraire et identique, à elle-même, comme une gravure)
(2) CU, inv. 1999-P.79(2): Album "Les épines de l'amour", (FP 97-2): A Rose, October 1997, drypoint, 115 × 78 mm, with plate tone (inscribed below the plate, in pencil: la plus belle, 21/25; at lower margin, in pencil: 21; and at bottom right corner of the right-hand side of the sheet: tes sourires me manquent, tes baisers me manquent, tu me manques)
(3) CU, inv. 1999-P.79(3): Album "Les épines de l'amour", (FP 97-14): Portrait of Sandrine, 1997, drypoint, 78 × 68 mm, with plate tone (inscribed below the plate, in pencil: toujours heureuse, 7/25; at lower margin: 7; and in black ink, on left-hand side of the sheet: combien de fois, j'ai ou tes larmes aux yeux? tu ne me verras pas, pleurer, comme tu voulais, ainsi loin l'un de l'autre)
(4) CU, inv. 1999-P.79(4): Album “Les épines de l'amour”, (FP 97-4): Eglantine Leaves, November 1997, drypoint, 79 × 90 mm, with plate tone (inscribed below the plate, in pencil: feuilles de l'agonie, 10/25; at lower margin: 10; at bottom right corner of right-hand side of the sheet, in black ink: mon bonheur est loin de moi emporté dans ton sac à dos et enterré dans la montagne, tu as la clef)
(5) CU, inv. 1999-P.79(5): Album "Les épines de l'amour", (FP 97-15): Cat, 1997, drypoint, 47 × 48 mm, with plate tone (inscribed at margin, in pencil: zebulon, grizzly, cendre(?), lobito, No 21; and at left corner of the left-handed side of the sheet, in black ink: toi, tu ne t'attendais pas à ça, moi, je ne m'y attendais pas... les petites jamais se cassent...)
(6) CU, inv. 1999-P.79(6) : Album "Les épines de l'amour", (FP 97-16): Great Puppet Show of Autumn, 1997, drypoint, 77 × 77 mm, with plate tone (inscribed below the plate, in pencil: grand guignol d'automne, 24/25; and in black ink, at left-hand side of the sheet: pour l'hiver: tu te cases, je me casse, (les mêmes cinq lettres))
(7) CU, inv. 1999-P.79(7): Album "Les épines de l'amour", (FP 97-16): Self-Portrait with the Cat Cendre, 1997, drypoint, 45 × 40 mm, with plate tone (numbered below the plate, in pencil: 4; and inscribed at left-hand side of the sheet, in black ink: un cadeau, Quand tu commences à penser, Bambina, et si tu veux encore, grandir, viens me voir, je serai toujours lá, quelque part)

Frans Pannekoek
Un chardon
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.79(1)

Frans Pannekoek
Een roos
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.79(2)

Frans Pannekoek
Portrait de Sandrine
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.79(3)

Frans Pannekoek
Feuilles de lagonie
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.79(4)

Frans Pannekoek
Zelfportret met de kat Cendre
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.79(7)

Frans Pannekoek
Grand guignol d'automne
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1999-P.79(6)