RKD STUDIES

1969

FP 69-1
Gezicht op aarde gezien vanaf de maan/View of the Earth Seen from the Moon, 1969
etching, drypoint and aquatint, 135 × 216 mm, illegible lettering in the plate, below upper plate mark, partially in mirror writing; dated: Januari 1969; lettered above lower plate mark: I 1969 Frans Lodewijk Pannekoek; and illegible mirror writing
impressions:
CU, inv. 2011-P.67 (signed below the plate, in pencil: f pannekoek)
exhibitions: Paris 1970
comments: the landing on the moon by an American space mission happened on 20 July 1969.

Frans Pannekoek
Gezicht op aarde gezien vanaf de maan
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.67

FP 69-2
Gezicht op de aarde/View of the Earth, 1969
aquatint, 125 × 194 mm
edition: 8
impressions:
CU, inv. 1994-P.184 (inscribed below the plate, in pencil: Espace d’une continuum aarde 1969 door frans Pannekoek Conil de la frontera)
exhibitions: Paris 1970
literature: Postma 1998, lot 379 (ex coll. Hans Evers) (inscribed 7/8)
comments: Pannekoek (oral comment, December 2017): to obtain this distinctive effect the artist used a technique in the 60s that involved heating the zinc plate on a stove.

Frans Pannekoek
Gezicht op de aarde, gedateerd 1969
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.184

FP 69-3
Op de maan, LM crash/On the Moon, Lunar Module Crash, c. 1969
etching, drypoint and aquatint, 123 × 216 mm
impressions:
CU, inv. 1994-P.275 (inscribed at lower right margin, in pencil: I)
exhibitions: Paris 1971; London 1976
literature: Mendez 1976, no. 4 (Luna Module in Mooncrash, 1970); Estrada 1986, no. 20 (as 1975)
comments: the United States’ Apollo 11 Eagle lunar module landed on the moon on 20 July 1969. Pannekoek (oral comment, December 2017): title: LM Crash (Lunar Module Crash): two seconds too late.

Frans Pannekoek
Op de maan, LM crash
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.275

FP 69-4
Zeilboten bij Punta Umbría, Huelva/Sailing Ships near Punta Umbría, Huelva, c. 1969
drypoint, 116 × 224 mm, illegible lettering in the plate, below upper plate mark and in cartouche, in mirror writing
edition: 1/1
impressions:
CU, inv. 1994-P.111 (inscribed at lower margin, in pencil: Bij punta Umbria Frans p. met windhond)
comments: the artist is depicted next to his greyhound Lize.

Frans Pannekoek
Zeilboten bij Punta Umbría, Huelva, gedateerd 1964
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.111

FP 69-5
Gezicht op de aarde met drie stripbeelden van landing op de maan/View of the Earth with Three Comic Strip Images of the Landing on the Moon, 1969
etching and aquatint, 135 × 215 mm, and three plates in drypoint, (1) 38 × 60 mm, lettered at the top in the plate: I seen on the TV of US: MOONLANDING, (2) 38 × 64 mm, lettered at the top in the plate: II TOURITS are (…) TV people, at the bottom: 1969, (3) 38 × 69 mm, lettered at the top in the plate: III FIN (…) TV GETS BORING, printed on one sheet of paper.
impressions:
RP-P-2010-221-2603: (RCE, K70033, acquired by the Dutch State): with plate tone (inscribed in pencil in the margin below three comic strip images: gezicht op de aarde door Frans Lodewijk Pannekoek met drie stripverhalen Conil 1969; and at lower right margin: 4)
Brussel, BR: inv. F12940
exhibitions: Paris 1970, no. 15 (Both H. Liebaers, head of the printroom in Brussels (BR), as well as J. Adhémar, head of the printroom in Paris (BN), acquired an impression of this print “Visite lunaire II”.

Frans Pannekoek
Gezicht op de aarde met drie stripbeelden van landing op de maan, 1969 gedateerd
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2010-221-2603

FP 69-6
Maan en heelal/Moon and Universe, 1969
etching and aquatint, 110 × 195 mm, with small print in drypoint (31 × 31 mm) on the same sheet of paper, lettered in the plate of the small accompanying print: we are going to CRASH, I forgot my hobby kit (…) 1969 (…)
impressions:
CU, inv. 2017-P.22 (inscribed at upper margin, in pencil: XXI viaje lunar 1975; and at lower margin: 3)
literature: Estrada 1986, no. 21 (as 1975, impr. CU)

Frans Pannekoek
Maan en heelal
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2017-P.22

FP 69-7
Kop van een geschoten fazant/Head of a Shot Pheasant, 25 March 1969
aquatint and drypoint, 75 × 107 mm, lettered in the plate, at upper right: illegible (morta?); at lower left: Frans Lodewijk Pannekoek Zahora 25 III 1969 (…)
edition: 1
impressions:
CU, inv. 2017-P.26 (verso: inscribed at lower right corner: 15)
comments: Pannekoek (oral comment, December 2017): the barrels of a shotgun with a hail of shot in the top right corner.

Frans Pannekoek
Kop van een fazant
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2017-P.26

FP 69-8
Twee pornografische voorstellingen van een Spaanse processie in S. Fernando /Two Pornographic Images from a Spanish Procession in S. Fernando, 1969
Both: etching, both: approx.31 × 35 mm, illegible lettering in centre of plate
impressions:
FP 83-Book: CU, inv. 1994-P.344Y(1) and (2): printed on the same sheet of paper (both: inscribed at lower margin, in pencil: 25, 26; verso: inscribed at bottom right, in pencil: 6 V)
exhibitions: Paris 1970; Amsterdam 1971; London 1976
literature: Niessen 1971; Mendez 1976, no. 52; Postma 1998, lot 389

Frans Pannekoek
Page 25-26, a letter for posterity after the nuclear war
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.344Y(1)

Frans Pannekoek
Page 25-26, a letter for posterity after the nuclear war
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.344Y(2)

FP 69-9
Seven horrors of the Twentieth Century: Cambio de Vida en el Signo xx, March1969
Seven drypoints, approx. 20 × 30 mm
VdS: A dummy with a set of seven prints in a small album (4,5 × 6,5 cm) for Cambio de Vida en el Signo xx por Frans Lodewijk Pannekoek, ediciones Thomas Rap Amsterdam, 50 exemplaren gedrukt door Piet Clement te Amsterdam
literature: anonymous interview 1969, 29 July 1969; Niessen 1971; Mendez 1976, no. 2; Van der Steur 2009, pp. 322-23
exhibitions: Paris 1970; Amsterdam 1971; London 1976
comments: in a letter to Thomas Rap of 7 January 1969 (LM, The Hague) the artist proposed making a miniature booklet with 7 original etchings, to whom he also sent a small dummy of it on 21 March 1969: probably the one described above. The set of seven prints was exhibited in solo exhibitionsbetween 1970 and 1976.

FP 69-10
Poesje heeft geen honger meer/Kitty’s no Longer Hungry, c. 1969
drypoint, 81 × 71 mm, illegible lettering at upper centre of plate
impressions: unknown
exhibitions: Paris 1970 (Minou n’a plus faim)
literature: Pannekoek 1977, p. 11; Postma 1998, lot 396 (PG 11)

1970

FP 70-1
Springend haasje te Tenerife/Leaping Hare on Tenerife, 23 February 1970
drypoint, 49 × 60 mm, lettered in the plate, at bottom centre: fl pannekoek 23 II 1970, Tenerife salta la liebre
edition: 12
impressions:
CU, inv. 1994-P.289: with plate tone (inscribed below the plate, in pencil: donde menos se espera, salta la liebre, pannekoek; and below: no. 2/12)
CU, inv. 1994-P.292A: printed together with the impressions of FP 70-10 and FP 73-4 on one sheet of paper (inscribed at lower margin, in pencil: frans pannekoek, rève et realité de la lievre I 1973 augustus Zahora)
CU, inv. 1994-P.290: with plate tone
exhibitions: Paris 1971; Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 12

Frans Pannekoek
Springend haasje te Tenerife
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.289

Frans Pannekoek
Springend Haasje te Tenerife, 1970
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.292 A

Frans Pannekoek
Springend haasje te Tenerife
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.290

FP 70-2
Geschoten haas/Shot Hare, 1970
drypoint, 52 × 59 mm, lettered in the plate, below upper plate mark: (…) pannekoek II 1970 Tenerife, HASEN 4
impressions:
CU, inv. 2011-P.89: with plate tone (inscribed below the plate, in pencil: f pannekoek)
exhibition: Paris 1971

Frans Pannekoek
Geschoten haas
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.89

FP 70-3
Opgehangen houtsnip/Hung Woodcock, 1970
drypoint, 52 × 35 mm, lettered in the plate, at lower left corner: f.p. fecit 1970
impressions:
CU, inv. 2011-P.86: with plate tone (inscribed below the plate, in pencil: houtsnip f l pannekoek 1970)
exhibitions: Paris 1971

Frans Pannekoek
Opgehangen houtsnip
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.86

FP 70-4
Vallende watersnip/Falling Water Snipe, February 1970
drypoint, 65 × 55 mm, illegible lettering in mirror script; and dated below upper plate mark: februari 1970; and inscribed below: TIERRA
edition: 12
impressions:
HGM, inv. 1973.P.187: with plate tone (inscribed below the plate, in pencil: snip, Pannekoek 1970)
SV: with plate tone
exhibitions: Paris 1971

FP 70-5
Landschap met locomotief/Landscape with Locomotive, c. 1970
drypoint, 105 × 185 mm, illegible mirror writing below upper plate mark; and lettered below at centre: vast een loco
impressions:
CU, inv. 1994-P.258: with plate tone (inscribed at upper right margin, in pencil: B v d K eigen exemplaar)
exhibitions: London 1976
literature: Mendez 1976, no. 36

Frans Pannekoek
Landschap met locomotief
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.258

FP 70-6
Landschap met vis/Landscape with Fish, c. 1970
drypoint, 107 × 200 mm, illegible mirror writing in the plate, below upper plate mark; and at upper centre: la mort et la guerre pannekoek
impressions:
CU, inv. 1994-P.259: with plate tone (inscribed at upper margin, in pencil: illegible; and at left margin, in pencil: 3)
comments: Pannekoek (oral comment, December 2017): inspired by Hieronymus Bosch.

Frans Pannekoek
Landschap met vis
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.259

FP 70-7
Opengesneden maanreiziger/Exploded View of a Moon Traveller, c. 1970
etching and aquatint, 62 × 78 mm, illegible mirror writing in surrounding script
impressions:
CU, inv. 2011-P.70 (signed below the plate, in pencil: f pannekoek)

Frans Pannekoek
Opengesneden maanreiziger
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.70

FP 70-8
Control of Artificial Life, c. 1970
etching and aquatint, 78 × 94 mm, illegible mirror writing in the plate below upper plate mark; lettered at upper centre: CONTROL OF ARTIFICIAL LIFE; at lower left corner: FOOD; in centre: NAME (…); and at centre right: NO16
impressions:
CU, inv. 2011-P.72: with plate tone (signed below the plate, in pencil: f pannekoek; inscribed at lower left corner, in pencil: 2)
exhibitions: Paris 1971
comments: Pannekoek (oral comment, December 2017): the subject is a baby in an incubator.

Frans Pannekoek
Control of artificial life
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.72

FP 70-9
Ruimteschip/Spaceship, 1970
etching and aquatint, 79 × 144 mm, lettered in the plate, upside down, at centre right: (…) through this buttonhole; and at centre left: illegible
impressions:
CU, inv. 2011-P.71 (signed below the plate, in pencil: f pannekoek)

Frans Pannekoek
Ruimteschip
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.71

FP 70-10
Gevilde Haas/Skinned Hare, 1970
drypoint, 90 × 45 mm, lettered in the plate naming various parts of the animal: illegible at upper centre; left side of the hare, with identifying arrows: (…) het vel (…) open, dijbeentjes, billetjes >, ruggetje, borstkast, XI, het vel trekt men er in vertikale richting af, trek, oortjes; at bottom centre, in mirror writing: (…) BvdK (…);right side of the hare, with identifying arrows: bloeduitstoringen van hondenbeten, HAGEL, WONDEN ALS ROSEN (horizontal arrow at the bottom) pantoffels
impressions:
CU, inv. 2020-P.101: (donated by JPFK, July 2020) printed with plate tone (inscribed below the plate, in pencil: gevilde haas f l pannekoek 1970)
CU, inv. 1994-P.292C: printed on the same sheet of paper as FP 70-1 and FP 73-4: with plate tone (inscribed at lower margin, in pencil: frans pannekoek, rève et realité de la lievre I 1973 augustus Zahora)
exhibitions: Paris 1970; Amsterdam 1971; London 1976
literature: Niessen 1971; Mendez 1976, no. 17 (with FP 70-11)

Frans Pannekoek
Gevilde Haas, 1970
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2020-P.101

Frans Pannekoek
Gevilde Haas, 1970
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.292 C

FP 70-11
Hangende fazant/A Hanging Pheasant, c. 1970
drypoint, 91 × 46 mm, lettered at upper centre: (…) de fazant; and illegible lettering at lower right of the plate
impressions:
CU, inv. 2020-P.102 (donated by JPFK, July 2020): with plate tone (inscribed at lower margin, in pencil: frans pannekoek 3/15 hangende fazant)
exhibitions: Paris 1971; London 1976
literature: Mendez 1976, no. 17 (with FP 70-10)

Frans Pannekoek
Hangende fazant, ca. 1970
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2020-P.102

1971

FP 71-1
Schedel van een watersnip/Skull of a Water Snipe, 1971
drypoint, 46 × 106 mm, illegible lettering below and above plate marks, in mirror writing; and at lower centre: f.p. f III 1971 Sahora bij Vejer
impressions:
CU, inv.1994-P.31: with little plate tone (inscribed below the plate, in pencil: schedel van watersnip aan Carlos van Hasselt Parijs 6 Dec 1971; and at lower right corner, in pencil: 6)
CD: with little plate tone: (inscribed below the plate, in pencil: schedel van watersnip aan Charles (…) pannekoek 1971 8/10) (sent with a letter of 18 April 1972 from the artist)
SW (2385g, coll. RW): with little plate tone (inscribed below the plate: schedel van een watersnip, zelf geschoten en opgegeten pannekoek 1971 2/3)
exhibitions: Paris 1971; Mendez 1976
literature: Mendez 1976, no. 20
comments: preparatory study in blue pen and brush, CU inv. 1994-T.36.

Frans Pannekoek
Schedel van een watersnip, gedateerd 6 december 1971
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.31

1972

FP 72-1
Gezicht op Durgerdam met het eiland Pampus/View of Durgerdam with Pampus Island, February 1972
drypoint, 50 × 125 mm, lettered in the plate, at upper centre, in mirror writing: (...) 1972 II 14
edition: 15
impressions:
CU, inv. 1994-P.307: with plate tone (inscribed below the plate, in pencil: view of Durgerdam by Frans Pannekoek to Carlos van Hasselt no 3/15 paris 15 IX 1972; and at lower left corner, in pencil: 3 prova!)
CU, inv. 1994-P.308: with plate tone (inscribed below the plate, in pencil: durgerdam met pampus door frans pannekoek aan carlos van Hasselt paris 15 IX 1972; and at lower right corner: 12)
exhibition: London 1976
literature: Mendez 1976, no. 49

Frans Pannekoek
Gezicht op Durgerdam met het eiland Pampus
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.307

Frans Pannekoek
Gezicht op Durgerdam met het eiland Pampus
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.308

FP 72-2
Fuiken op het IJsselmeer/Fyke Nets in the IJsselmeer, 1972
drypoint, 125 × 200 mm, illegible mirror writing in the plate, at upper centre; and dated: 1972
edition: 25
impressions:
CU, inv.1994-P.311: with plate tone (inscribed at lower and right margins, in pencil: 8 fuiken aan het ijsselmeer door frans pannekoek uit het jaar 1972 gemaakt in Zahora bij Vejer voor mijn vriend Carlos van Hasselt, die nooit tijd heeft; and at upper right corner: laatste (...) 8)
exhibition: London 1976; Paris 1979
literature: Mendez 1976, no. 49

Frans Pannekoek
Fuiken op het IJsselmeer
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.311

FP 72-3
Palingvisser op het IJsselmeer/Eel Fisherman on the IJsselmeer, 1972
drypoint, 118 × 165 mm, lettered in the plate, at lower left corner: FP (...) 1972
edition: 20
impressions:
CU, inv. 1994-P.309: with little plate tone (inscribed below the plate, in pencil: palingvisser op ijsselmeer voor Carlos van Hasselt van Frans Pannekoek parijs 1 Februari 1973 4/20)
CU, inv. 1994-P.310: with plate tone (inscribed below the plate, in pencil: palingvisser op ijsselmeer voor Carlos van Frans Pannekoek 9/20 parijs 1 Februari 1973)
CU, inv. 1994-P.52: with plate tone (inscribed at lower margin, in pencil: no 5, of second series ±10. fransisco panqueque; and at lower right corner: 5)
RP-P-2017-1120-1: with plate tone (inscribed below the plate, in pencil: palingvisser f pannekoek 72, 7/3/15; and at lower left: 9 90 7/4 (?); verso: PS: Parijs aug. 1975)
FM, p.5-1976:
exhibition: London 1976; Amsterdam 2010; Paris 2011
literature: Mendez 1976, no. 47; Pannekoek 1977, p. 13; Estrada 1986, no. 12; Schatborn 2011, no. 33
comments: preparatory study made with the brush near the Afsluitdijk at the north end of the IJsselmeer; print made in Zahora (CU, inv. 1994-T.42); on the verso of this drawing there is a second preparatory study which seems to be the direct model for the print. A second edition of the print, with a heavier use of plate tone, was made later.

Frans Pannekoek
Palingvisser op het IJsselmeer
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.309

FP 72-4
Bevroren meer met schaatser en boeien/Frozen Lake with Ice Skater and Buoys, March 1972
drypoint, 121 × 177 mm, lettered in the plate at upper centre, in mirror writing: (...) fp ? III 1972
impressions:
CU, inv. 2011-P.76: with plate tone (signed below the plate, in pencil: f pannekoek; inscribed at lower margin: 12, 4 maart 1972 Zahora

Frans Pannekoek
Bevroren meer met schaatser en boeien
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.76

FP 72-5
Das gedood tijdens de jacht/Badger Killed During a Hunt, March 1972
drypoint, 105 × 142 mm,
edition: 25
impressions:
Ist state:
CU, inv. 2017-P.23: with plate tone, retouched with pencil: (signed below the plate, in pencil: f pannekoek; inscribed at margin, in pencil: Staat 1, druk 1, prova)
IInd state: drypoint and lettering added: el tejon matado el 12 de marso 1972 en Mangueta, (…) Joaquin la Luna, willy y candelaria, 20 III 1972 F.P.F. 21
SW (701, coll. RW): with plate tone (inscribed below the plate, in pencil: frans pannekoek voor R. Wartena, Amsterdam, 25 januari 1991; and at bottom margin: 5)
RP-P-2012-118: with little plate tone (inscribed below the plate, in pencil: pannekoek 1/25, and at right margin: 1 II)
CU, inv. 1994-P.286: with plate tone, printed in dark brown ink (inscribed at right margin, in pencil: dear Carlos, there should never be any writing underneath this print because it will disturb, so I sign etc. on the side, no 12 of dead ,,blaireau,, by frans pannekoek, shot by me 12 March 1972; and at lower left corner: 12)
FK (Paris 1979): with plate tone, printed in brownish-black ink (inscribed below the plate, in pencil: badger by frans pannekoek 6/25; and at margin: 6)
exhibitions: London 1976; Paris 1979; Amsterdam 2010; Paris 2011
literature: Pannekoek 1977, p. 15; Estrada 1986, no. 13; Schatborn 2011, no. 13
comments: 'Mangueta' is an estate near Zahora, Spain. Preparatory drawing, CU, inv. 1994-T.38 and CU, inv. 2002-T.24 is the basis for the print.

Frans Pannekoek
Das gedood tijdens de jacht
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2017-P.23

Frans Pannekoek
Das gedood tijdens de jacht, maart 1972 gedateerd
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2012-118

Frans Pannekoek
Das gedood tijdens de jacht
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.286

FP 72-6
Breed landschap met twee rotsen en elektriciteitspalen/Extensive Landscape with Two Rocks and Electricity Pylons, March 1972
edition: 5
impressions:
etching and drypoint, 110 × 194 mm, lettered in the plate, partially in mirror writing: (…) EL RIO AMOUR (…) donde (…) Tsjechov, (…) a Landscape with man-made rocks (diamond) shock (…) Tenerife 1970 Zahora 1972 5-III)
CU, inv. 2011-P.81: with plate tone, hand-coloured with brush and grey ink (signed below the plate, in pencil: f pannekoek; inscribed at lower left margin, in black ink: pen No. 8 & penseel, Dicht, meneer Pannekoek bent u in China geweest? ANTW. De Dichter bereisd het land van zijn dromen; at lower left corner, in brush and grey ink: bygetekend met inkt 8 mrt 1972; with stamp in lower right corner, in red ink: FRANS PANNEKOEK (followed by two Chinese characters); verso, inscribed at lower left corner, in pencil: LR 33D)
comments: Pannekoek (oral comment, December 2017): depiction of 'The New World'.

Frans Pannekoek
Breed landschap met twee rotsen en elektriciteitspalen
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.81

FP 72-7
Mensenschedel van boven gezien/Human Skull Seen from above, 1972
etching, aquatint and drypoint, 150 × 120 mm
edition: 26 + 10
impressions:
Ist state:
CU, inv. 1994-P.315: with plate tone (inscribed below the plate, in pencil: Skull no 1 (prova) to Carlos van Hasselt 15th of Sept Paris bij frans pannekoek; below: SKULL; and at lower right corner, in pencil: no 1 prova)
IInd state: lettering added in the plate, at lower centre: SKULL; and at lower right corner: (...) VI FP
(1) CU, inv. 1994-P.316: printed with little ink (inscribed below the plate, in pencil: Skull no 2 to Carlos van Hasselt Paris 15 September 1972 frans pannekoek; and at lower margin: 2)
(2) CU, inv. 1994-P.317: with heavily inked skull (inscribed below the plate, in pencil: Skull no 3 to Carlos van Hasselt Paris Sept 15 1972 Paris by frans pannekoek; and at lower left corner: 3)
(3) CU, inv. 1994-P.318: with plate tone (inscribed below the plate, in pencil: Skull no 4 to Carlos van Hasselt 15th September 1972 in paris by f pannekoek; and at lower left corner: 4)
(4) CU, inv. 1994-P.319: with evenly grey plate tone (inscribed below the plate, in pencil: Skull no 5 to Carlos van Hasselt Paris 15th September 1972 frans pannekoek; and at lower margin: 5)
(5) CU, inv. 1994-P.320: with evenly grey plate tone (inscribed below the plate, in pencil: Skull no 6 to Carlos van Hasselt Paris 15 September 1972 paris frans pannekoek; and at lower margin: 6)
(6) CU, inv. 1994-P.321: printed with little ink (inscribed below the plate, in pencil: Skull no 7 to Carlos van Hasselt 15 September 1972 paris frans pannekoek; and at lower left corner: 7)
(7) CU inv. 1994-P.322: printed with little ink and heavy plate tone on the left (inscribed below the plate, in pencil: Skull no 8 to Carlos van Hasselt Paris 15th Sept 1972 by frans pannekoek; and at lower margin: 8)
(8) CU, inv. 1994-P.323: heavily inked, impression partially printed in negative (inscribed below the plate, in pencil: Skull no 9 to Carlos van Hasselt 15th Sept 1972 paris frans pannekoek; and at lower margin: 9)
(9) CU, inv. 1994-P.324: impression printed in negative, with heavier plate tone on the right (inscribed below the plate, in pencil: Skull no 10 to Carlos van Hasselt Paris 15th of September frans pannekoek; and at right margin: 10)
(10) CU, inv. 1994-P.325: impression printed in negative, with heavier plate tone on the left (inscribed below the plate, in pencil: Skull no 11 to Carlos van Hasselt 15th September 1972 paris by frans pannekoek; and at lower margin: 11)
(11) CU, inv. 1994-P.326: impression printed in negative, with plate tone (inscribed below the plate, in pencil: Skull no 12 to Carlos van Hasselt September 15 1972 paris frans pannekoek; and at lower margin: 12)
IIIrd state: lettering at lower centre extended: MISU IRE
(1) CU, inv. 1994-P.327: with little ink, impression printed in negative, (inscribed below the plate, in pencil: Skull no 13 to Carlos van Hasselt 15 September 1972 by frans pannekoek; and at lower margin: 13)
(2) CU, inv. 1994-P.328: heavily inked, impression printed in negative (inscribed below the plate, in pencil: Skull no 14 to Carlos van Hasselt 15 September 1972 Paris frans pannekoek; and at lower margin: 14)
(3) CU, inv. 1994-P.329: with little ink, impression printed in negative (inscribed below the plate, in pencil: Skull no 15 to Carlos 15 Sept 1972 Paris by frans lodewijk pannekoek; and at lower left corner: 15)
(4) CU, inv. 1994-P.330: heavily inked (inscribed below the plate, in pencil: Skull no 16 to Carlos van Hasselt Paris 15th Sept 1972 frans pannekoek)
(5) CU, inv. 1994-P.331: heavily inked, impression partially printed in negative (inscribed below the plate, in pencil: Skull no 17 to Carlos van Hasselt 15th Sept 1972 by frans pannekoek; and at lower margin: 17)
(6) CU, inv. 1994-P.332: impression printed in negative (inscribed below the plate, in pencil: Skull no 18 to Carlos van Hasselt 15 Sept 1972 Paris by frans pannekoek; and at lower margin: 18, 3e staat)
(7) CU, inv. 1994-P.333: heavily inked, impression printed in negative (inscribed below the plate, in pencil: Skull no 19 to Carlos van Hasselt 15th Sept 1972 by frans pannekoek; and at lower and right margin: 19, the whole series has been made and printed in Zahora Vejer de la Frontera Cadiz in the end of april or beginning of may 1972, and sold to my friend and collectister? on the 15th of September)
(8) CU, inv. 1994-P.334: heavily inked, impression partially printed in negative (inscribed below the plate, in pencil: Skull no 20 to Carlos van Hasselt Paris 15th September 1972 frans pannekoek; and at lower margin: 20)
(9) CU, inv. 1994-P.335: printed with little ink, impression partially printed in negative (inscribed below the plate, in pencil: Skull no 21 to Carlos van Hasselt Paris Sept. 15 by frans pannekoek; and at lower margin: 21)
(10) CU, inv. 1994-P.336: heavily inked, with plate tone (inscribed below the plate, in pencil: Skull no 22 to Carlos van Hasselt 15 Sept 1972 Paris by frans pannekoek; and at lower right corner: 22)
(11) CU, inv. 1994-P.337: heavily inked impression (inscribed below the plate, in pencil: Skull no 23 to Carlos van Hasselt Paris 1972 15th frans pannekoek; and at lower left margin: 23)
IVth state: previous lettering erased; added in the plate, at lower right corner: variationes sobre un tema; and at lower left corner: F.L.P. IV 1972
(1) CU, inv. 1994-P.338: heavily inked, impression printed in negative (inscribed below the plate, in pencil: Skull no 24 to Carlos van Hasselt 15 Sept 1972 paris frans pannekoek; and at lower margin: 24)
(2) CU, inv. 1994-P.339: with little ink, impression printed in negative (inscribed above the image, in pencil: No. 25; and below the plate: variaciones sobre un tema (…) Carlos van Hasselt paris 15th Sept por f pannekoek)
exhibitions: London 1976; Paris 1979; Amsterdam 2010; Paris 2011
literature: Mendez 1976, no. 9; Pannekoek 1977, p. 59; Estrada 1986, no. 17; Schatborn 2011, no. 24, 24a
comments: there are 26 impressions of this skull, of which Custodia possesses 25; one remains in the artist’s collection. Pannekoek considers the skull to be a ‘space-object’. Hercules Segers also made a print of a skull (HB 53). In 2009 Pannekoek made one drypoint after a painting attributed to Segers with a human skull seen from the side (FP 09-5/6).

Frans Pannekoek
Mensenschedel van boven gezien
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.315

Frans Pannekoek
Mensenschedel van boven gezien
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.316

Frans Pannekoek
Mensenschedel van boven gezien
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.317

Frans Pannekoek
Mensenschedel van boven gezien
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.318

Frans Pannekoek
Mensenschedel van boven gezien
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.319

Frans Pannekoek
Mensenschedel van boven gezien
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.320

Frans Pannekoek
Mensenschedel van boven gezien
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.321

Frans Pannekoek
Mensenschedel van boven gezien
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.322

FP 72-8
Schaar van een krab/Claw of a Crab, May 1972
drypoint, 45 × 75 mm, lettered in the plate, at bottom centre: Boca de una Centolla; and at lower right corner, in cartouche: F.P.
edition: 12
impressions:
CU, inv. 1994-P.30: with plate tone (inscribed at lower margin, in pencil: Paris, boca de centollo No 7/12 fransisco panqueque 15 IX 72, 7)
HGM, P.188-1973: with plate tone (inscribed at margin, in pencil: 2, Pannekoek 13 mai 1972, Zahora 3/12; 23 May Much better now)
exhibitions: London 1976
literature: Mendez 1976, no. 13; Estrada 1986, no. 14
comments: comparable crab’s claw in grey pen and brush, CU, inv. 1994-T. 35: FP 1971. 7. 8 and CU, inv. 2002-T. 22: Gutman pata de un centolla (Schatborn 2011, (drawing) I, p 116: drawing made on El Hierro, one of the Canary Islands).

Frans Pannekoek
Schaar van een krab, gedateerd mei 1972
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.30

FP 72-9
Space Shell, 1972
drypoint, 73 × 84 mm
edition: 15
impressions:
Ist state: horn ` lightly etched as illustrated in Estrada 1986
IInd state: reworked with drypoint; with illegible Spanish mirror writing in the plate above and below and signed and dated: FP 1972 II
CU, inv. 1994-P.29: with plate tone (inscribed at lower margin, in pencil: space shell ± 7 prints made, 1972 Zahora, by frans pannekoek)
SW (703, coll. RW): with plate tone (inscribed below the plate, in pencil: frans pannekoek 1972 11/16; and at bottom margin: 17)
exhibitions: London 1976; Paris 1979; Amsterdam 2010; Paris 2011
literature: Mendez 1976, no. 7; Pannekoek 1977, p. 9; Estrada 1986, no. 16, Schatborn 2011, no. 25
comments: comparable horn: Space Shell in grey pen and brush, CU, inv. 1994-T.34: FP 14 July 1971.

Frans Pannekoek
Space shell, gedateerd 1972
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.29

FP 72-10
Katoenplant/Algodon/Cotton Plant, July 1972
etching, 48 × 45, lettered in the plate, below upper plate mark: algodon regalo de Franzi año 1972; and below in mirror writing: FP VIII '72 SA
edition: 20
impressions:
Ist state: first letter in lettering illegible and ‘Fransiaño’ with an 's'
CU, inv. 1994-P.28: with little plate tone (inscribed below the plate, in pencil: katoenplant fp 1973 te Zahora; and at lower margin: I)
IInd state: lettering more defined and ‘Franziaño’ with a 'z'
CU, inv. 1994-P 27: with heavy plate tone (inscribed at lower margin, in pencil: 25 of September after lunch with Sven Maria Carlos Marja, No 3 voor Carlos' collectie, francis pancake, 3)
CU, inv. 1994-P.26: with plate tone (inscribed at lower margin, in pencil: frans pannekoek, signed July 1975, cuisaber nadie, 6; verso: inscribed in pencil: most beautiful of coton plant, to Carlos van Hasselt, f.l.p. 25 sept 1973, paris)
exhibitions: Paris 1979
literature: Pannekoek 1977, p. 31; Estrada 1986, no. 15

Frans Pannekoek
Katoenplant, algodon, gedateerd juli 1972
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.28

FP 72-11
Kust bij Cadiz/Coast at Cadiz, 1972
drypoint, 84 × 128 mm
edition: 15, later 20
impressions:
CU, inv. 1994-P.304: with plate tone, retouched with Indian ink (inscribed in the plate, at lower right corner, with brush: FP III '72; and at lower margin, in pencil: marismos cerea del puerto Real hacia Cadiz, para mi amigo Carlos van Hasselt paris 15 IX 1972, 6 no 1 sharp vers nat papier. Frans Pannekoek; inscribed in black ink: drawing (…) the only right way of making things)
CU, inv. 1994-P.305: with plate tone (inscribed at lower margin, in pencil: paris 15 IX 1972, 4 las marismas en la bahia de Cadiz by Frans Pannekoek to Carlos van Hasselt)
CU, inv.1994-P.306: with plate tone (inscribed at lower margin, in pencil: 10, las marinimas del Puerto Real (Cadiz) by fransisco panqueque, paris 15 IX 1972)
HGM, inv. P.191-1973: with plate tone in sky (inscribed in pencil: Baai bij Puerto de Sta Maria, Pannekoek 1972, no. 11 van 20)
exhibitions: Paris 1979; Amsterdam 2010; Paris 2011
literature: Schatborn 2011, no. 28

Frans Pannekoek
Kust bij Cadiz
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.304

FP 72-12
Another Shell, 1972
drypoint, 50 × 58 mm, lettered in the plate, at upper centre: another shell, see flower of death to the Master of the Amsterdam cabinet (…) so long ago (…) Zahora 2 1972
edition: 12, later 25
impressions:
CU, inv. 2017-P.24: with plate tone (inscribed below the plate, in pencil: another shell f pannekoek, 7/12; and at margin, in pencil: 7 andere inkt, natter papier)
CD: with plate tone (inscribed below the plate, in pencil: aan Charles van f.p. pannekoek mrt. 1972 no. 5: and at margin: over ruimte gesproken en prova 5 (…)) (send with a letter by the artist of 26 April 1972)
SW (2385c, coll. RW): with light plate tone (inscribed below the plate, in pencil: pannekoek 6/25)
exhibitions: London 1976
literature: Mendez 1976, no. 8
comments: Pannekoek (oral comment, December 2017): inspired by the Master of the Amsterdam Cabinet.

Frans Pannekoek
Another shell
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2017-P.24

FP 72-13
Dode vogel boven een landschap met vuurtoren/ Dead Bird above a Landscape with a Lighthouse, Trafalgar 1972
edition: 12
etching and drypoint, 61 × 104 mm, lettered in the plate, at upper centre: Tragalgar II; at bottom centre: (...) muerto (...) capricho de dios, jueves santo 1972 (…)
impression:
CU, inv. 2011-P.80: with plate tone (signed and inscribed below the plate, in pencil: f pannekoek; and at lower right corner: 8 1e goed)

Frans Pannekoek
Dode vogel boven een landschap met vuurtoren
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.80

FP 72-14
IJsselmeer met boei aan de horizon/IJsselmeer with a Buoy on the Horizon, c. 1972
drypoint, 94 × 162 mm, illegible mirror writing in the plate, below upper plate mark; and at lower left corner: fp 1? 2
edition: 12
impressions:
CU, inv. 2011-P.90: with plate tone (signed below the plate, in pencil: f pannekoek; inscribed at lower right corner: 1; verso: inscribed at lower left corner, in pencil: LR 17)

Frans Pannekoek
IJsselmeer met boei aan de horizon
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.90

FP 72-15
Kalm water met een boei/Calm Water with a Buoy, 1972
drypoint, 99 × 137 mm
edition: 12
impressions:
CU, inv. 2011-P.92: with plate tone (signed below the plate, in pencil: f pannekoek; verso: inscribed at lower left corner, in pencil: LR 13B)
RP-P-2017-1120-2: with plate tone (inscribed below the plate, in pencil: f pannekoek; at lower left: 5; verso, at lower left margin, in pencil: lr 13D)

Frans Pannekoek
Kalm water met een boei
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 2011-P.92

Frans Pannekoek
Kalm water met een boei, 1972
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2017-1120-2

FP 72-16
Moeras bij Cadiz/Marsh near Cadiz, c. 1973
drypoint, 35 × 60 mm
impressions:
CU, inv. 1994-P.302: with little plate tone (inscribed at lower margin, in pencil: 5, no hay que pruebas frans pannekoek marismas cerca de Cadiz)
CU, inv. 1994-P.303: with little plate tone (inscribed at lower margin, in pencil: 8, marismas cerca de Cadiz frans pannekoek)

Frans Pannekoek
Moeras bij Cadiz
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.302

Frans Pannekoek
Moeras bij Cadiz
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.303

FP 72-17
Opgehangen korhaan, Orre/Hung Black Grouse, Orre, December 1972
drypoint, 204 × 130 mm, lettered in the plate, along upper and left plate marks, in mirror writing: invitation of my friend Rudolf Lemperg to HUNT in his land orre and Träder I had a most magnificent time (…) FP 1972; at centre right: ORRE to RUDOLF
edition: 18, later 25
impressions:
Ist state:
RP-P-2008-118: retouched with brush in grey and red (inscribed below the plate, in pencil: 16.12.1972 black grouse hand by Frans Pannekoek; and with brush in margin: ZATERDAG 15-12-1972 7 dagen arbeid aan deze prent en dan nog niet goed ; and at upper right corner: 1)
CU, inv. 1994-P.283: with plate tone, retouched with brush in grey and red (inscribed below the plate at centre, in pencil: voor Carlos; and with brush in grey: to RUDOLF & GUDRUN 17-12-1972 frans pannekoek 17/18)
IInd state: illegible lettering added along lower right plate mark
CU, inv. 1994-P.282: with plate tone (inscribed below the plate, in pencil: Korhaan geschoten op Grannas door frans pannekoek voor Carlos 12/25 12-1972; and at lower margin, in pencil: 12)
IIIrd state: illegible lettering added along lower plate mark
CU, inv. 1994-P.284: with plate tone (inscribed below the plate, in pencil: orre voor Carlos van frans pannekoek 17/25 gemaakt in Zahora December 1972; at lower left corner: 17)
CD: with light plate tone (inscribed below the plate, in pencil: voor Charless van charles pannekoek 1 juli 1974 Utrecht; and at margin: 18)
exhibtions: London 1976; Paris 1979; Amsterdam 2010; Paris 2011
literature: Mendez 1976, no. 22-25; Pannekoek 1977, p. 27; Schatborn 1989, pp. 82-82, no. 3; Filedt Kok 2010, p. 148; Schatborn 2011, no. 16
comments: Preparatory studies in sketchbook 1972/3 (CU, inv. 1994-T.26). The black grouse was shot by Rudolf Lemperg (an Austrian surgeon in Sweden who owns a house in Lōs Canôs) on 6 October 1972 in Grannäs (see Pannekoek 1977, p. 27, 31). A similar black grouse was shot and drawn by Pannekoek in October 1973. Orre is Swedish for black grouse.

Frans Pannekoek
Opgehangen korhaan, Orre, 17 december 1972 gedateerd
Amsterdam, Rijksprentenkabinet, inv./cat.nr. RP-P-2008-118

Frans Pannekoek
Opgehangen korhaan, Orre
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.283

FP 72-18
Moerassensneeuwhoen boven een Zweeds landschap/Marsh Ptarmigan above a Swedish Landscape, 1972
drypoint, 121 × 184 mm, illegible lettering in the plate, along left and upper plate marks, in mirror writing; at upper centre: MOERASSENSNEEUW hoen; and illegible mirror writing below
edition: 15
impressions:
CU, inv. 1994-P.285: with plate tone (inscribed below the plate, in pencil: moerassensneeuw hoen boven zweeds landschap in Gramäs door frans pannekoek 7/15 aan Carlos; and at lower left corner, in pencil: 7)
HGM, inv. P.189-1973: with plate tone (inscribed in pencil: 5)
exhibitions: London 1976; Paris 1979
literature: Mendez 1976, no. 26

Frans Pannekoek
Moerassensneeuwhoen boven een Zweeds landschap
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.285

FP 72-19
Memento Mori, skeletten van Adam en Eva/Memento Mori, Skeletons of Adam and Eve, 15 September 1972
etching and aquatint, 164 × 58 mm & 164 × 56 mm (irregularly cut), lettered in the plate, above Adam, at upper right: MEMENTO; at lower left corner, in cartouche: FP; above Eve, at upper centre: MORI; at lower left: (...) IX 1972; and at bottom centre: la morte est como una flor caida
impressions:
CU, inv. 1994-P. 32A&B: printed in brown ink (inscribed below the plate of Adam, in pencil: memento mori, Adam and Eve by; continuing below the image of Eve: frans pannekoek 15 (...) sept 1972; at lower left corner, in pencil: B; in between impressions, at centre: no. 13)
comments: two impressions printed on one sheet of paper. Pannekoek (oral comment, May 2020): ‘After Dürer or another German Master: Baldung or another in very similar positions but alive.’

Frans Pannekoek
Memento Mori, skeletten van Adam en Eva, gedateerd 15 september 1972
Parijs, Fondation Custodia - Collection Frits Lugt, inv./cat.nr. 1994-P.32A&B;